19th Century Prints, American Views, Americana, Botanical, Color Lithograph, Genre, Landscapes, Lithograph, Natural History, Naval, New Additions, Prints, Sporting, Two-color Lithograph

New Additions: Currier & Ives

NEW ADDITIONS bannerNEW ADDITIONSWe added several new Currier & Ives lithographs to our gallery, including many beautiful genre and landscape scenes which capture 19th century American life.

Currier & Ives was the largest publisher of hand printed lithographs. The firm published well over 7,500 different images over the seventy-three years it was in business. They specialized in lithographs hand-drawn on a lithographic stone and printed one at a time by hand, which is the original and traditional method of lithography.  Although steam presses existed, Currier & Ives felt that the impressions were inferior to the hand-pulled lithographic impressions. Over the years the firm worked with many artists and craftsmen. The founder, Nathaniel Currier, a trained lithographer, and his partner, James Merritt Ives, a bookkeeper and self-taught artist, proved to be the correct combination of an entrepreneur, craftsman, and artist to make the company the best during their time.

Many artists worked for the firm. Of the new additions, many were done by Frances Flora Palmer.  Known to many as Fanny F. Palmer, she was one of the best known artists to work for Currier & Ives. She was responsible for the majority of landscape images produced by the firm, even though only a few bear her name.

We hope you enjoy these new colorful and beautiful lithographs! To see more prints by Currier and Ives, we invite you to visit our website.

The Old Homestead. By Fanny F. Palmer. Published by Currier & Ives. Lithograph handcolored, undated. Medium folio. LINK.

The Old Homestead. By Fanny F. Palmer. Published by Currier & Ives. Lithograph handcolored, undated. Medium folio. LINK.

The Village Blacksmith. By Fanny F. Palmer. Pub. by N. Currier. Lithograph handcolored, undated. Medium folio. LINK.

The Village Blacksmith. By Fanny F. Palmer. Pub. by N. Currier. Lithograph handcolored, undated. Medium folio. LINK.

Landscape, Fruit and Flowers. By Fanny F. Palmer. Published by Currier & Ives. Two-color lithograph handcolored, 1862. Large folio. LINK.

Landscape, Fruit and Flowers. By Fanny F. Palmer. Published by Currier & Ives. Two-color lithograph handcolored, 1862. Large folio. LINK.

Winter Pastime. By Fanny F. Palmer. Published by N. Currier. Lithograph handcolored, 1855. Medium folio. LINK.

Winter Pastime. By Fanny F. Palmer. Published by N. Currier. Lithograph handcolored, 1855. Medium folio. LINK.

On a Point. By Fanny F. Palmer. Published by N. Currier. Lithograph handcolored, 1855. Medium folio. LINK.

On a Point. By Fanny F. Palmer. Published by N. Currier. Lithograph handcolored, 1855. Medium folio. LINK.

"Thistle" : Cutter Yacht, Designed by G. L. Watson : Built by D. W. Henderson & Co. Glasgow.  Owned by Mr. Bell, Glasgow Scotland. Published by Currier & Ives, N.Y. Lithograph printed in oil color, 1887. Large folio. LINK.

“Thistle” : Cutter Yacht, Designed by G. L. Watson : Built by D. W. Henderson & Co. Glasgow. Owned by Mr. Bell, Glasgow Scotland. Published by Currier & Ives, N.Y. Lithograph printed in oil color, 1887. Large folio. LINK.

Niagara Falls. Published by Currier & Ives, 152 Nassau St. Lithograph with handcoloring, undated.  Medium folio size. LINK.

Niagara Falls. Published by Currier & Ives, 152 Nassau St. Lithograph with hand-coloring, undated. Medium folio size. LINK.

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19th Century Prints, Chromolithograph, Color Lithograph, Early 20th Century, Engraving, Etching, Lithograph, Prints, Sporting, Wood

Yachting Prints

Below are several yachting prints we currently have in active inventory. While the invention of sailing is prehistoric, the racing of sailing boats is believed to have started in the 17th century Netherlands.  Custom-built yachting boats became very popular in England in the 19th century, and helped to increase the popularity of the sport. For years,  brilliant displays of yacht racing, like famous match-races such as The America’s Cup, have been a source of inspiration to artists. We hope you enjoy this quick round-up of prints. We have many more nautical and yachting prints in our Georgetown gallery- so we invite our readers to stop by and see these striking and beautiful prints in person.

To the Commodore & Members of the New-York Yacht Club, this Print of the YACHT AMERICA (Modelled & Built by Geo. Steers, Esq. Of New-York,) is respectfully dedicated.  Published by Brown & Severin, New York. Two-stone lithograph, 1851.

To the Commodore & Members of the New-York Yacht Club, this Print of the YACHT AMERICA (Modelled & Built by Geo. Steers, Esq. Of New-York,) is respectfully dedicated. Published by Brown & Severin, New York. Two-stone lithograph, 1851.

In Down East Waters  Boston Bay. By Fred S. Cozzens. Published by Charles Scribner's Sons, New York. Chromolithograph, 1884.

In Down East Waters Boston Bay. By Fred S. Cozzens. Published by Charles Scribner’s Sons, New York. Chromolithograph, 1884.

Yachts and Barges. By George C. Wales. Soft ground, 1920.

Yachts and Barges. By George C. Wales. Soft ground, 1920.

Nina, 1928. By George C. Wales. Lithograph, 1929.

Nina, 1928. By George C. Wales. Lithograph, 1929.

The Cutter Genesta, R.Y.S. By Charles Parsons. Published by Currier & Ives 115 Nassau St. New York. Lithograph printed in color, 1885.

The Cutter Genesta, R.Y.S. By Charles Parsons. Published by Currier & Ives 115 Nassau St. New York. Lithograph printed in color, 1885.

The Yacht "Sappho" of New York. By Charles Parsons. Published by Currier & Ives, 115 Nassau St. New York. Lithograph, handcolored, 1869.

The Yacht “Sappho” of New York. By Charles Parsons. Published by Currier & Ives, 115 Nassau St. New York. Lithograph, handcolored, 1869.

A Fine Day in Autumn - Miniature Yachting. Published in The Daily Graphic, New York. Wood engraving, hand colored, Nov. 13, 1879.

A Fine Day in Autumn – Miniature Yachting. Published in The Daily Graphic, New York. Wood engraving, hand colored, Nov. 13, 1879.

 

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19th Century Prints, Early 20th Century, Lithograph, Past/Present

Past/Present: Yachting

Today we have a new P/P post, featuring two yachting prints. The older print,  is a chromolithograph, after a famous painting by Frederick S. Cozzens. It is plate XXII in ” American Yachts.” The more recent print is by early 20th century artist Richard Florsheim. The print we feature of his, Moored Boats, is an artist proof, printed before the  full edition of 250. It was published by Associated American Artists, a gallery and publishing house founded in 1935 by Reeves Lewenthal. Associated American Artists was founded to bring art to the middle class in post-depression era America, and featured many of the great 20th century Regionalist printmakers- Grant Wood, Thomas Hart Benton, and Peggy Bacon, to name a few.

Image on Left: In Down East Waters- Boston Bay. By Frederick S. Lozzens. Engraved by Armstrong & Co. Published by Charles Scribner’s Sons, NY. Chromolithograph, 1884.

Image on Right: Moored Boats. By Richard Florsheim. Published by Associated American Artists. Lithograph, 1961.

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