Contemporary, Early 20th Century, Prints, Serigraph

Will Barnet on Theory

Ariadne. By Will Barnet. Published by Styria Studio, Inc., New York and Will Barnet. Color serigraph. 1980. Image size 17 3/4 x 15" (450 x 378 mm). Edition 150. Inscribed "54/150." LINK.

Ariadne. By Will Barnet. Published by Styria Studio, Inc., New York and Will Barnet. Color serigraph. 1980. Image size 17 3/4 x 15″ (450 x 378 mm). Edition 150. Inscribed “54/150.” LINK.

“The crux of my art is that I believe in theory and aesthetics as the base for any artist’s development. To me no artist can develop without theory… Theory and ideas are absolutely essential, and you need culture. It is nice to be emotional and I think I am emotional enough as it is, but you need control and a depth of experience in what painting is all about… I think only by studying the past will you know what today should be like. That’s my belief anyway.”- Will Barnet

Quote from: Oral history interview with Will Barnet, 1968 January 15, Archives of American Art, Smithsonian Institution. LINK.

Standard
Abstract, Citiscapes, Contemporary, Early 20th Century, Figurative, Landscapes, Prints, Screenprint, Serigraph, Silkscreen

Serigraphy

Serigraphy ( also known as screen-printing or silk screen) is a versatile printing process, based on the stencil principle. The method first appeared in China during the Song Dynasty (960–1279 AD), and gained popularity in 18th century Europe, thanks to imports of silk from the East. A group of WPA artists, who later formed the National Serigraphic Society, coined the word “serigraphy” in the 1930s in effort to differentiate the artistic application from the commercial printing application. Serigraphy was later made famous in the 1960s by Andy Warhol, who used the medium to achieve a bold, commercial look in his pop-icon prints.

To make a serigraph, a fine woven fabric is tightly stretched and attached to a metal or sturdy wood frame. This forms the printing screen. A stencil is then created on the screen, by the application of a blockout. Artists have experimented with numerous blockout methods over time- including paper, hand-cut film, glue, photosensitive emulsion, and gelatin film. The blockout areas become the non-image areas. After the blockout is laid and dried, paper is placed below the screen and thick ink is squeezed into a line across the top of the screen. The ink is then dragged along the surface of the screen with a squeegee. This forces the ink to pass through the open area of the stencil onto the paper below. For multi-colored prints, a separate screen is required for each color.

Below are several serigraph prints we have in our OPG inventory, by early 20th century and contemporary artists. Hope you enjoy!

Trio. Dorie Marder. Serigraph, 1945. Image size 14 7/8 x 10 7/8" (377 x 276 mm). Edition 45. LINK.

Trio. By Dorie Marder. Serigraph, 1945. Image size 14 7/8 x 10 7/8″ (377 x 276 mm). Edition 45. LINK.

Urban Views.  (Large) #6B. Patrick J. Anderson. Serigraph, 2003. Image size 6 x 6" (151 x 151 mm). Edition 12. LINK.

Urban Views. (Large) #6B.  By Patrick J. Anderson. Serigraph, 2003. Image size 6 x 6″ (151 x 151 mm). Edition 12. LINK.

Coastal Whimsey. Joan Drew. Serigraph, 1965. Image size 8 1/8 x 12 1/2" (210 x 320 mm). Edition 55. LINK.

Coastal Whimsey. By Joan Drew. Serigraph, 1965. Image size 8 1/8 x 12 1/2″ (210 x 320 mm). Edition 55. LINK.

Prairie Sunset. Allan Simpson. Serigraph, 1987. Image size 16 5/16 x 20 1/4" (416 x 514 mm). Edition 30. LINK.

Prairie Sunset. By Allan Simpson. Serigraph, 1987. Image size 16 5/16 x 20 1/4″ (416 x 514 mm). Edition 30. LINK.

Dancing. Thomas Seawell. Serigraph and archival digital, 2010. Tondo - diameter 9 1/2 x 9 1/2" (240 mm). Edition 10. LINK.

Dancing.  By Thomas Seawell. Serigraph and archival digital, 2010. Tondo – diameter 9 1/2 x 9 1/2″ (240 mm). Edition 10. LINK.

Space Planes. Morris A. Blackburn. Serigraph, c. 1950.  8 5/8 x 12" (227 x 305 mm). LINK.

Space Planes.  By Morris A. Blackburn. Serigraph, c. 1950. 8 5/8 x 12″ (227 x 305 mm). LINK.

Pet. Joan Drew. Serigraph, 1967. Image size 2 3/4 x 2" (72 x 40 mm).  Edition 51. LINK.

Pet. By Joan Drew. Serigraph, 1967. Image size 2 3/4 x 2″ (72 x 40 mm). Edition 51. LINK.

Point Blank Distance. By Masaaki Noda. Serigraph, 1996. Image size 12 1/8 x 19 1/4" (308 x 488 mm). Edition 40. LINK.

Point Blank Distance. By Masaaki Noda. Serigraph, 1996. Image size 12 1/8 x 19 1/4″ (308 x 488 mm). Edition 40. LINK.

Hartling Bay. Richard T. Davis. Color serigraph, 1993. Image size 17 3/4 x 20 1/4" (445 x 509 mm). Edition 145. LINK.

Hartling Bay. By Richard T. Davis. Color serigraph, 1993. Image size 17 3/4 x 20 1/4″ (445 x 509 mm). Edition 145. LINK.

Standard