Mark Jenkins, arts writer for The Washington Post, featured our ROSS/ROMANO show in his most recent column. Follow the link below to read his article, and make sure to stop by the gallery before July 13th to see the show in person.
The Old Print Gallery Showcase, May 2013 edition, was published early this month. We have sent it to everyone on our mailing list, and they should expect to see it in their mailboxes within the week. We are very excited to be publishing our third catalog, and more importantly, very excited to give our collectors a glimpse into our inventory.
In this May edition, we cover a lot of territory. We give our readers a peak into our current ROSS/ROMANO show with several colorful collagraphs by the printmaking duo, John Ross and Clare Romano. We also highlight maps of the Chesapeake Bay, including a scarce, large scale sea chart by noted 19th century Baltimore publisher Fielding Lucas, Jr. Flip through our antique print selection and see several furry friends- prints of kittens and dogs pop up on pages 8 and 9. The last ten pages are a sampling of some new (to us) prints by contemporary and early 20th century printmakers- landscapes, still lifes, architectural details, and joyful and hushed moments offer an exquisite and varied selection for our collectors to peruse.
The May Showcase is available online- you can read it, download it, or email it to fellow art collectors and friends. See it here.
You can also email us with your mailing information, and we will add you to our list so you receive a hard copy of the next issue. Email us at firstname.lastname@example.org.
The prints in the showcase are all online, and can be purchased over the phone at (202) 965-1818 or in person in our Georgetown DC shop. We are open Tuesday- Saturday, from 10:00 AM to 5:20 PM.
The Old Print Gallery is very excited to announce our new summer show, Ross/Romano. The show will open on April 19 and stay on view until July 13, 2013. The exhibit features the work of John Ross and Clare Romano, internationally known printmakers, teachers, and husband and wife creative duo. Their prints sample architecture, waterways, and canyon vistas- a visual record of their travels to Italy and the Southwest. Working in the medium of collagraphy and woodcuts, prints by Ross and Romano marry texture and color in a beautiful and skillfully layered way. A free nighttime reception will be held on Friday, April 19, 2013 from 5-8pm at the Old Print Gallery, to celebrate the show’s opening.
Ross and Romano’s book ”The Complete Printmaker”, first published in 1972, has been called the definitive textbook on printmaking, and is still in use today at universities and art schools. The prints selected for this show will heavily showcase the duo’s talent and expertise at collagraphy- a true printing hybrid that involves collage applied to a plate, printed by intaglio or relief methods.Romano’s canyon scenes weave together textural ribbons of dusty rose and bright orange. Her abstract bands evoke sky, land, and water, harmoniously flowing into one another. In contrast, Ross builds his compositions with interlocking, architectural shapes, resulting in layered city views. Blending the Gothic archways and vaults of Venice with the stark skyscrapers of New York, Ross creates fantastical urban landscapes that seem right out of Metropolis.
John Ross is a painter, printmaker, book artist and Professor of Art. He has served as president of the Society of American Graphic Artists, and is active in a number of art organizations. He printed and illustrated many books with original prints. He has had over sixty one-artist shows and is represented in many museum collections. Ross studied at Cooper Union School of Art, Parson School of Design, École des Beaux-Arts, New School for Social Research, Columbia University, and Istituto Statale d’Arte in Italy. He taught printmaking at the New School for over fifty years and has been a professor of art Manhattanville College.
Clare Romano was born in Palisades, New Jersey, in 1922. She studied at Cooper Union training as a painter. Her first prints were lithographs produced at Robert Blackburn’s workshop in 1949; but she has worked in many different mediums. She is best known for her stunning woodcuts and for her collagraphs. She is a noted educator, teaching generations of artists printmaking at the New School, Pratt Graphics Center and Pratt Institute. Throughout her career she has received numerous awards and has had many one artist shows. Her work is in museums across the United States and Europe.