Abstract, Contemporary, Gallery Opening Receptions, Gallery Openings, Prints

2014 Winter Contemporary Show

(L) Persistent Optimism 4b. By Heather McMordie. Stone lithograph with woodcut and mixed media, 2014. Ed. 2/3. Paper size 11 x 10".  (C) Persistent Optimism 2b. By Heather McMordie. Stone lithograph with woodcut and mixed media, 2014. Ed 2/3. Paper size 11 x 10".  (R) Persistent Optimism 4a.  By Heather Mcmordie. Stone lithograph with woodcut and mixed media, 2014. Ed 1/3. Paper size 11 x 10".  LINK.

(Left) Persistent Optimism 4b. (Center) Persistent Optimism 2b. (Right) Persistent Optimism 4a.
By Heather McMordie. Stone lithograph with woodcut and mixed media, 2014. Edition of 3. Paper size 11 x 10″ each. LINK.

The Old Print Gallery’s 2014 Winter Contemporary Show will open on Friday, November 21, 2014 with a free nighttime celebratory reception from 5-8pm at the gallery. Works by thirteen contemporary printmakers, all created within the last two years, were chosen for the show. The prints selected are an impressive and alluring display of the current eclecticism found in contemporary printmaking.  Purposeful and inventive, the prints are successful experiments in medium, color, and scale, and for many of the artists selected, the prints are a deviation from their previous creative propensities. The show will remain on view in the gallery until February 14, 2014.

Harmonious Rhythm I. Nancy Previs. Photo intaglio, 2014. Ed 2/15. Image size 9 5/8 x 12”. LINK.

Harmonious Rhythm I. Nancy Previs. Photo intaglio, 2014. Ed 2/15. Image size 9 5/8 x 12”. LINK.

Highlights include a haunting and mysterious photo intaglio landscape by Dublin-based Nancy Previs and three small mezzotints of the human form by Australian printmaker Cleo Wilkinson, whose printed visages emerge from a velvety black with a tonal richness and striking subtlety.  The exhibit also features three prints from emerging artist Heather McMordie’s new series, Persistent Optimism, an exciting experiment in prints-turned-drawings, each with elements of lithography, woodcut, graphite, colored pencil, and charcoal.

The 2014 Winter Contemporary Show will also showcase several works by local DC printmakers, including an abstract and playful watercolor-based monotype by Philip Bennet, bold screenprint monotypes with woodcut elements by Susan Goldman, and artfully rendered still lifes in etching and aquatint by Jake Muirhead.

Thrush. Jake Muirhead. Softground with drypoint, 2014. A/P. Image size 11 7/8 x 11 7/8". LINK.

Thrush. Jake Muirhead. Softground with drypoint, 2014. A/P. Image size 11 7/8 x 11 7/8″. LINK.

Selected Artists: Philip Bennet, Richard Carleton, Michael Di Cerbo, Eric Goldberg, Susan Goldman,  Su-Li Hung, Robert Kipniss, Mary Manusos, Heather McMordie, Jake Muirhead, Nancy Previs, Richard Sloat, and Cleo Wilkinson.

Splash #2. Philip Bennet. Oil-based ink monotype, 2013. Ed 1/1. Image size 11 x 17".  LINK.

Splash #2. Philip Bennet. Oil-based ink monotype, 2013. Ed 1/1. Image size 11 x 17″. LINK.

Standard
Contemporary, Early 20th Century, Etching, Gallery Event, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Prints

ETCHED

(Left) Lace. By Yvette Lucas. Solar plate etching, 2010. Edition 8.  (Right) Ecstatic Tree. By Yvette Lucas. Solar plate etching, 2010. Edition 8.

(Left) Lace. By Yvette Lucas. Solar plate etching, 2010. Edition 8.
(Right) Ecstatic Tree. By Yvette Lucas. Solar plate etching, 2010. Edition 8.

We are very excited to announce ETCHED, our upcoming OPG show of early 20th century and contemporary original etchings, which will open Friday, February 21, 2014. The gallery will host a nighttime reception that Friday, from 5-8pm, which is open and free to the public. The show will remain on view at the gallery until April 5, 2014, during normal gallery hours.

Etching as a form of printmaking evolved from metal workshops of the Middle Ages, where swords, armor, and tools were all etched with acid to produce intricate line and scroll work. Daniel Hopfer, a 16th century craftsman, applied these metalworking techniques to iron printmaking plates, and was the first to use etching as a form of printmaking. Many artists were soon lured by etching’s capacity to capture the essence and spontaneity of the artist’s hand in printed form.

Yellow Exit. By Robert Birmelin. Hand colored etching, 2006. A/P.

Yellow Exit. By Robert Birmelin. Hand colored etching, 2006. A/P.

ETCHED will celebrate the long legacy of printmakers who specialize in and focus on etching as a way of image making. As the show pulls from over a century of creative expression, viewers will be fascinated by the myriad of ways an artist can use an etched line to create tone, atmosphere, and detail. The show also highlights new technical advances in etching, including multi-plate color etchings and experimental solar plate etchings.

Highlights include meticulously etched architectural views by John Taylor Arms, two direct and intimate portraits by Isabel Bishop and Nicholas Vagenas, and  velvety and dense lines found in works by Peter Milton and Otto Kuhler.

Shadows of Venice. By John Taylor Arms. Etching, 1930. Ed. 100.

Shadows of Venice. By John Taylor Arms. Etching, 1930. Ed. 100.

Selected Artists: Sigmund Abeles, John Taylor Arms, Frank W. Benson, Robert Birmelin, Isabel Bishop, Richard Carleton, Arthur Cohen, Robert Cook, Joseph Essig, Takuji Kubo, Otto Kuhler, Yvette Lucas, Charles F. Mielatz, Peter Milton, Ellen Nathan Singer, Joseph Pennell, Susan Pyzow, Nicholas Vagenas, Hank Virgona, Bruce Waldman.

Construction Worker. By Nicholas Vagenas. Etching, 1968. Ed. 1/10.

Construction Worker. By Nicholas Vagenas. Etching, 1968. Ed. 1/10.

Standard
17th Century Prints, Collagraph, Contemporary, Early 20th Century, Engraving, Etching, Gallery Event, Lithograph, Prints, Serigraph, Silver Gelatin Print, White-line Woodcut, Woodcut

Online Summer Shows at the Old Print Shop- Pt. 3

Our NYC sister shop, the Old Print Shop, has three fantastic summer shows going on right now. You can view all three summer shows  online, through their exhibition tab on their website.  Below is a preview of one of their shows, Summer in the Country.

Country Scene. By Peter Hurd. Color lithograph, undated.

Summer in the Country

The country: a place of great escape, where one can leave behind the hustle and bustle of their ordinary lives and enwrap themselves in the beauty that is nature. It is a place of endless entertainment, where natural wonders await discovery and hobbies, new and old, can be enjoyed by people of all ages. From mountain tops to canyon bottom, from horseback riding to sailing and fishing, there are any number of possibilities. One simply needs to find them.

Augustus. By Antonio Tempeste. Engraving, c.1600.

Fence and Shadow. (Newport, RI). By Bo Kass. Silver gelatin print, 2002.

Beach Study. By Richard Carleton. Etching, 2007-8.

Landscape, Cape Cod. By Agnes Weinrich. White-line woodcut, c.1920.

Summer. By Will Barnet. Color lithograph and serigraph. 1986.

The Beach at Dorset. By Ellen Nathan Singer. Etching, 2001.

Red Canyon. By Clare Romano. Collagraph, 1983.

To view Summer in the Country online,  click here. We blogged about The Art of Sporting exhibit last Friday, which can be viewed here, and the exhibit City Heat on Saturday, which can be viewed here.

Standard
Contemporary, Gallery Opening Receptions, Gallery Openings, Prints

July Show Water at The Old Print Gallery

Gale, Old Wheeler’s Island. By Richard Carleton. Etching, 2001.

The Old Print Gallery is pleased to present Water, a group show featuring prints by local, national, and international contemporary artists. Water will open on Friday, July 20, 2012, with a nighttime reception from 5-8pm at the gallery. The show will be on view until September 14, 2012. With a subject matter as open and expansive as water, the show yields both personal and universal interpretations for artist and viewer.

Splash. By Philip Bennet, oil-based monotype,2004.

Abstraction and illusion are prominent in the works of Water. Judy Mensch’s woodblock Water 1 is a product of seven woodblocks, ten passes, and eight colors. The result is a dynamic distillation of water in stripes of deep blues and greens. Philip Bennet’s Splash, too, is an abstract blend of colors, forgoing form to capture a more visceral depiction of a plunge into watery depths. NY artist Peter Milton incorporates overlays of watery motifs in his large, dreamlike images. Here, water alludes to the shadowy depths of the subconscious, and hints at memories and influences from the artist’s past.

Waterfall. By Peter Milton. Digital print, 2010.

Some Fragments VIII-C. By Takamune Ishiguro. Etching and aquatint, 2005.

Marked is the artists’ ability to evoke watery imagery from the hard matrices of copper plates and woodblocks. Simple cuts and gouges transform into brilliantly dappled light on water’s surface in Karen Whitman’s Adrift. Likewise, rough, turmoil waves emerge from the constant rocking and reworking of the plate in Art Werger’s Requiem. Other artists highlight the liquid properties of inked media itself to communicate a watery essence. Takume Ishiguro’s use of aquatint and water-based inks in Some Fragments VII-C adds fluidity and glassiness to his macro depiction of water bubbles. Whether water is depicted in large scale or small scale, figuratively or metaphorically, its capacity to mesmerize and captivate artists’ attention is undeniable.

Selected Artists: William J. Behnken, Philip Bennet, Richard Carleton, Antonio Frasconi, Takamune Ishiguro, Stanley Kaplan, Alessandro Mastro-Valerio, Judy Mensch, Frederick Mershimer, Peter Milton, Clare Romano, Ilse Schreiber Noll, Herbert Simon, Mary Teichman, Art Werger, and Karen Whitman.

For more information, please visit our Events page on our website, or check out the images selected for the show on our Current Show page. We hope to see you all there at the opening!

Standard
Contemporary, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Prints

Water Opens July 2012

Join us on Friday, July 20, 2012 for the opening of Water at The Old Print Gallery. The reception will be held from 5-8pm, is free, and open to the public. Please visit our website for more information.

Standard