Prints

“Light, Shadow & Time” opens May 20th

Reflections on a Crosstown Vista.  Grace Bentley-Scheck. Collagraph, 2015 Image size 12 1/16 x 12 1/16" (30.7 x 30.7 cm).

Reflections on a Crosstown Vista. By Grace Bentley-Scheck. Collagraph, 2015. Image size 12 1/16 x 12 1/16″ (30.7 x 30.7 cm). LINK.

We are excited to announce our upcoming summer show, Light, Shadow & Time, a group of contemporary prints from 16 talented emerging and established printmakers. The prints selected are an eclectic mix, but all explore the patterns found in our natural and manufactured world. Whether by exploring the layering and rearrangement of natural textures or the effect of light and time on a subject, these artists see compositions in the everyday, the fleeting, the organic, and the microscopic. Light, Shadow & Time opens on Friday, May 20 and runs through Saturday, September 10, 2016.

With an important focus on the temporal and ephemeral interplay between architecture and light, Patrick Anderson and James Haggerty create dynamic scenes out of shifting shadows, highlighting the emotive warmth and coolness of light. Similarly, Grace Bentley Scheck’s collagraph explores the passage of time “recorded in the marks left by functional changes made in structures over many years, by human design or the elements, and in changing patterns of light and shadow as the sun makes its daily journey across the sky.”

Early Morning Light. Patrick Anderson. Serigraph, 2003. Image size 4 1/4 x 4 1/4" (10.8 x 10.8 cm). LINK.

Early Morning Light. Patrick Anderson. Serigraph, 2003. Image size 4 1/4 x 4 1/4″ (10.8 x 10.8 cm). LINK.

In a trio of highly patterned, organic collages entitled “Room to Grow” Heather McMordie links the puzzle-like nature of printmaking and geology.  Creating three large editions from one woodblock and one lithographic stone, and then drawing on, cutting apart, and piecing together these editions, McMordie takes the composition in as many different directions as possible, paralleling how a combination of just a few elements can create countless different minerals, rocks, and soils. Pattern in nature is further explored in Barbara Milton’s dizzying examination of layered tree leaves, Cleo Wilkinsons’ haunting portrait of the folds and subtle curves of a hibiscus flower, and Nancy Previs’ intimate, mystical composition of water flowing over rough rock, printed in green tint.

All together, the show encourages the viewers to pause, see, and reflect on the spaces, natural or man-made, that they occupy throughout the day.

Selected Artists: Patrick Anderson, Philip Bennet, Grace Bentley Scheck, Steven Brigidi, Richard T. Davis, James Haggerty, Heather McMordie, Barbara Minton, Jake Muirhead, Ilse Schreiber-Noll, Ellen Nathan Singer, Nancy Previs, Steven Walker, Larry Welo, Art Werger, and Cleo Wilkinson.

Celestial Light. [The Metropolitan Museum of Art.] By James Haggerty. Etching and chine colle, 2004. Image size 11 11/6 x 5 13/16" (297 x 147 mm). LINK.

Celestial Light. [The Metropolitan Museum of Art.] By James Haggerty. Etching and chine colle, 2004. Image size 11 11/6 x 5 13/16″ (297 x 147 mm). LINK.

Verdure. By Barbara Minton. Etching and aquatint printed in color, 2000. Image size 17 3/8 x 14 3/4" (44.1 x 37.5 cm). LINK.

Verdure. By Barbara Minton. Etching and aquatint printed in color, 2000. Image size 17 3/8 x 14 3/4″ (44.1 x 37.5 cm). LINK.

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Our Mixed Winter Show is now on view at The Old Print Gallery. Stop by our Georgetown shop to see these stunning original 20th century and contemporary prints.Mixed Winter Show

Contemporary, Early 20th Century, Gallery Openings, Prints

On View Now…

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Abstract, Citiscapes, Contemporary, Early 20th Century, Figurative, Prints

Mixed Winter Show

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16" (137 x 177 mm). Signed in pencil.

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16″ (137 x 177 mm). Signed in pencil.

From November 20th through February 12th, the Old Print Gallery will display a new selection of prints from emerging and established printmakers, pulling from both our 20th century and contemporary print collection. This showcase of prints will exhibit a variety of printmaking techniques, and range from representational to abstract in theme. Just in time for the 2015 Holiday Season, this eclectic and impressive mix will have original artwork available at all price points, with prints desirable to the seasoned art collector as well as those looking to break into the market.

Selected Artists: Alexander Archipenko, Albert W. Barker, Philip Bennet, Matt Brown, Asa Cheffetz, Robert Cook, Michael Di Cerbo, Werner Drewes, Richard Florsheim, Eric Goldberg, Rockwell Kent, Richard Lubell, Heather McMordie, Frederick Mershimer, Jake Muirhead, Karima Muyaes, Ilse Schreiber-Noll, Matt Phillips, Emilio Sanchez, Gerald Scheck, Ellen Nathan Singer, Benton Murdoch Spruance, and Lawrence N. Wilbur.

To see the prints included in the show, click here.

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4" (428 x 337 mm).

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4″ (428 x 337 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8" (428 x 327 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8″ (428 x 327 mm).

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4".

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4″.

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Abstract, Contemporary, Monotype, New Additions, Prints

New Additions: Philip Bennet Monotypes

NEW ADDITIONS bannerNEW ADDITIONSIn advance of our Monotypes show, which opens on July 17th, contemporary printmaker Philip Bennet dropped off several new prints to The Old Print Gallery. It is always a pleasure to interact with our contemporary printmakers. Every meeting creates an opportunity to talk with them about their approach to printmaking, new techniques they are exploring, and challenges (both good and bad) they are working through in their studio. Bennet’s new prints deviate from some of his earlier work, both in scale and color palette, so we asked him to share some of his creative process with our OPG blog readers and collectors. We hope you enjoy!

“For some time friends and other artists have asked: “Why don’t you work bigger? Because as a colorist, your prints would have greater impact.” So this spring I took the plunge and did a group of full sheet (22 x 30″) prints. For my plate I chose Mylar, a thin plastic. By using large brushes along with plenty of water, I could more easily enhance the flow of color. Also, I decided on a different watercolor palette consisting of mostly soft warm colors of violets, mauves, reds, oranges, and yellows. I used my usual technique of working intuitively and letting the colors bleed by lifting and rotating the Mylar to create unforeseen effects. I often add a little splatter. “Opposites Attract” and “Moving Violet” are two examples of this technique.” – Philip Bennet , 2015

Opposites Attract. Philip Bennet. Watercolor monotype, 2015. Diptych. Image size 17 x 25 1/4". Edition 1/1. Signed and titled by artist in pencil. Printed on Japanese paper. LINK.

Opposites Attract. Philip Bennet. Watercolor monotype, 2015. Diptych. Image size 17 x 25 1/4″. Edition 1/1. Signed and titled by artist in pencil. Printed on Japanese paper. LINK.

Moving Violet. Philip Bennet. Watercolor monotype, 2015. Image size 16 7/8 x 11 1/4". Edition 1/1. Signed and titled by artist in pencil. LINK.

Moving Violet. Philip Bennet. Watercolor monotype, 2015. Image size 16 7/8 x 11 1/4″. Edition 1/1. Signed and titled by artist in pencil. LINK.

Crazy Rhythm II. Philip Bennet. Watercolor monotype, 2015. Image size 9 3/4 x 13 3/8". Edition 1/1. Signed and titled by artist in pencil. LINK.

Crazy Rhythm II. Philip Bennet. Watercolor monotype, 2015. Image size 9 3/4 x 13 3/8″. Edition 1/1. Signed and titled by artist in pencil. LINK.

Crazy Rhythm III.  Philip Bennet. Watercolor monotype, 2015. Image size 9 3/4 x 13 3/4". Edition 1/1. Signed and titled by artist in pencil. LINK.

Crazy Rhythm III. Philip Bennet. Watercolor monotype, 2015. Image size 9 3/4 x 13 3/4″. Edition 1/1. Signed and titled by artist in pencil. LINK.

The prints have been added to our inventory, and can now be seen in our DC gallery and online. Thanks to Philip for offering us a glimpse into your creative decision-making.

 

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Contemporary, Gallery Openings, Gallery Updates, Monoprint, Monotype, Prints

“Monotypes” to Open in July

Under a Tree. Matt Phillips. Monotype, 2006. Image size 12 3/4 x 8 3/4 inches. LINK.

Under a Tree. Matt Phillips. Monotype, 2006. Image size 12 3/4 x 8 3/4 inches. LINK.

We are excited to announce our new summer show, Monotypes, which will open on July 17th with a nighttime reception at the gallery from 5-7pm. A monotype is the most painterly method of printmaking, created by manually adding ink onto a plate, which is then printed through a traditional press. While other printmaking mediums are composed by way of hard, precise lines and detailed crosshatching, the looseness and gestural freedom allowed in a monotype can be an invigorating breath of fresh air for artists. The prints chosen for the exhibit are glowing examples of this unbridled, and sometimes playful, independence from the technical, benefiting from the simple swipe of a brush stroke, the pooling and blending of inks, and the unique translucency and saturation of color. The show will remain on view through September 12, 2015. Selected Artists: Linda Adato, Leonard Baskin, Philip Bennet, Susan Goldman, Takamune Ishiguro, Alessandro Mastro-Valerio, Matt Phillips, Clare Romano, Peri Schwartz, Bruce Waldman, Steven Walker, and Janet Yake. We will share more with our OPG Blog readers and followers as the show takes form, so make sure to check back for updates!

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