Our Mixed Winter Show is now on view at The Old Print Gallery. Stop by our Georgetown shop to see these stunning original 20th century and contemporary prints.Mixed Winter Show

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Contemporary, Early 20th Century, Gallery Openings, Prints

On View Now…

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Abstract, Citiscapes, Contemporary, Early 20th Century, Figurative, Prints

Mixed Winter Show

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16" (137 x 177 mm). Signed in pencil.

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16″ (137 x 177 mm). Signed in pencil.

From November 20th through February 12th, the Old Print Gallery will display a new selection of prints from emerging and established printmakers, pulling from both our 20th century and contemporary print collection. This showcase of prints will exhibit a variety of printmaking techniques, and range from representational to abstract in theme. Just in time for the 2015 Holiday Season, this eclectic and impressive mix will have original artwork available at all price points, with prints desirable to the seasoned art collector as well as those looking to break into the market.

Selected Artists: Alexander Archipenko, Albert W. Barker, Philip Bennet, Matt Brown, Asa Cheffetz, Robert Cook, Michael Di Cerbo, Werner Drewes, Richard Florsheim, Eric Goldberg, Rockwell Kent, Richard Lubell, Heather McMordie, Frederick Mershimer, Jake Muirhead, Karima Muyaes, Ilse Schreiber-Noll, Matt Phillips, Emilio Sanchez, Gerald Scheck, Ellen Nathan Singer, Benton Murdoch Spruance, and Lawrence N. Wilbur.

To see the prints included in the show, click here.

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4" (428 x 337 mm).

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4″ (428 x 337 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8" (428 x 327 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8″ (428 x 327 mm).

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4".

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4″.

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Aquatint, Citiscapes, Drypoint, Early 20th Century, Engraving, Etching, Figurative, Landscapes, Prints, Wood, Woodcut

Lawrence Nelson Wilbur (1897-1988)

Ship Building - Gloucester. Lawrence N. Wilbur Drypoint, 1943. Image size 7 5/8 x 11 inches.  Edition 30. LINK.

Ship Building – Gloucester. Lawrence N. Wilbur. Drypoint, 1943. Image size 7 5/8 x 11 inches. Edition 30. LINK.

Born in Whitman, Massachusetts, Lawrence Nelson Wilbur traveled to Boston and Los Angeles before settling in New York. In 1925, he enrolled in the Grand Central Art School where he studied under Harvey Dunn, N.C. Wyeth, and Pruett Carter. As a photo-engraving finisher, he worked for the finest engraving shops in New York, as well as doing work for major magazines. The meticulous nature of this work aided Wilbur’s artistic development. Throughout his prolific art career, which spanned seven decades, he produced wood engravings, woodcuts, linoleum block prints and lithographs, as well as paintings and drawings.

His works are in the collections of the Metropolitan Museum of Art, National Gallery, Philadelphia Museum, Library of Congress, and more, and he received numerous awards for his art, including the Audubon Artist’s medal of honor for a self-portrait in oil in 1957. He was a member of the Salmagundi Club of New York, Painters and Sculptors Society of New Jersey, and Society of America Graphic Artists.

Abandoned Homestead. Lawrence Wilbur. Drypoint, 1938. Edition 45+27. Image size 6 x 8". LINK.

Abandoned Homestead. Lawrence Wilbur. Drypoint, 1938. Edition 45+27. Image size 6 x 8″. LINK.

Our Daily Bread. Lawrence Wilbur. Woodcut, c.1940. Edition unknown. Image size 8 x 9 15/16 inches. LINK.

Our Daily Bread. Lawrence Wilbur. Woodcut, c.1940. Edition unknown. Image size 8 x 9 15/16 inches. LINK.

Tranquil Harbor. Gloucester, Massachusetts. Lawrence Wilbur. Wood engraving, 1958.  Edition 55. Image size 8 5/8 x 10 inches. LINK.

Tranquil Harbor. Gloucester, Massachusetts. Lawrence Wilbur. Wood engraving, 1958. Edition 55. Image size 8 5/8 x 10 inches. LINK.

The Sprie - New York. Lawrence Wilbur. Drypoint, 1985. Edition 100. Image size 14 7/8 x 11 1/8" (380 x 282mm). LINK.

The Sprie – New York. Lawrence Wilbur. Drypoint, 1985. Edition 100. Image size 14 7/8 x 11 1/8″ (380 x 282mm). LINK.

My Family. Lawrence Wilbur. Drypoint, 1950. Edition 55. Image size 10 x 8" (256 x 203 mm). LINK.

My Family. Lawrence Wilbur. Drypoint, 1950. Edition 55. Image size 10 x 8″ (256 x 203 mm). LINK.

Model Resting. Lawrence Wilbur. Etching and aquatint, 1939. Edition 40. Image size 9 3/4 x 7 7/8" (252 x 201 mm). LINK.

Model Resting. Lawrence Wilbur. Etching and aquatint, 1939. Edition 40. Image size 9 3/4 x 7 7/8″ (252 x 201 mm). LINK.

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Color Woodcut, Early 20th Century, Engraving, Gallery Opening Receptions, Gallery Openings, Landscapes, Prints, Wood, woodblock print, Woodcut

“Ink & Grain” to open in September

Autumn Road Santa Fe. By Norma Basset Hall. Color woodblock, 1928. Signed in pencil by the artist.

Autumn Road Santa Fe. By Norma Basset Hall. Color woodblock, 1928. Signed in pencil by the artist.

The Old Print Gallery is proud to announce its new fall print show, Ink & Grain, which will open on Friday, September 19, 2014 with a free opening night reception from 5-8pm at the gallery. Ink & Grain is a group show, highlighting 20th century printmakers who excelled in woodcuts and wood engravings. The exhibit will remain on view at the Old Print Gallery until November 15th, 2014.

One of the most ancient forms of printmaking, the woodcut was in huge decline in the 19th century, as printmakers turned to other forms of reproductive mediums. Luckily, the 20th century saw a revived and energized artistic expression for woodcuts and wood engravings. These new woodcut artists experimented heavily with technique, in ways both innovative and nuanced. Printmakers, like Werner Drewes and Barbara Latham, incorporated the grain of the woodblock directly into the composition of their prints- surrendering to its complexities while highlighting its unique, undulating patterns. Others, including Gustave Baumann, Leo Frank, Norma Bassset Hall, and Luigi Rist, experimented with new methods of ink and color application, resulting in stylized prints in a bold, modern palate, as well as softer, luminous color prints inked onto thin Japanese paper.

Sea Shell and Carlic. Luigi Rist. Color woodcut, 1947. Signed in ink on the block. Titled and inscribed "150 Edition" in pencil.

Sea Shell and Garlic. Luigi Rist. Color woodcut, 1947. Signed in ink on the block. Titled and inscribed “150 Edition” in pencil.

Wood engravings also saw a resurgence during the 20th century, especially in the form of artist’s hand-made books and commercial book illustrations. The show includes works by skilled wood engravers Clare Leighton, Lawrence N. Wilbur, and John Murphy, all who made a name for themselves as dynamic illustrators and artists.

Digging Potatoes. By Clare Leighton. Wood engraving, 1935. Signed and titled in pencil. Edition 30.

Digging Potatoes. By Clare Leighton. Wood engraving, 1935. Signed and titled in pencil. Edition 30.

Selected Artists: Gustave Baumann, Asa Cheffetz, Werner Drewes, Leo Frank, Antonio Frasconi, Eliza Draper Gardiner, Norma Bassett Hall, Barbara Latham, Clare Leighton, Alessandro Mastro-Valerio, John J. A. Murphy, Luigi Rist, Mabel Royds, Charles Svendsen, Paul Wenck, Lawrence N. Wilbur, and Adja Yunkers.

 

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