Prints

“Light, Shadow & Time” opens May 20th

Reflections on a Crosstown Vista.  Grace Bentley-Scheck. Collagraph, 2015 Image size 12 1/16 x 12 1/16" (30.7 x 30.7 cm).

Reflections on a Crosstown Vista. By Grace Bentley-Scheck. Collagraph, 2015. Image size 12 1/16 x 12 1/16″ (30.7 x 30.7 cm). LINK.

We are excited to announce our upcoming summer show, Light, Shadow & Time, a group of contemporary prints from 16 talented emerging and established printmakers. The prints selected are an eclectic mix, but all explore the patterns found in our natural and manufactured world. Whether by exploring the layering and rearrangement of natural textures or the effect of light and time on a subject, these artists see compositions in the everyday, the fleeting, the organic, and the microscopic. Light, Shadow & Time opens on Friday, May 20 and runs through Saturday, September 10, 2016.

With an important focus on the temporal and ephemeral interplay between architecture and light, Patrick Anderson and James Haggerty create dynamic scenes out of shifting shadows, highlighting the emotive warmth and coolness of light. Similarly, Grace Bentley Scheck’s collagraph explores the passage of time “recorded in the marks left by functional changes made in structures over many years, by human design or the elements, and in changing patterns of light and shadow as the sun makes its daily journey across the sky.”

Early Morning Light. Patrick Anderson. Serigraph, 2003. Image size 4 1/4 x 4 1/4" (10.8 x 10.8 cm). LINK.

Early Morning Light. Patrick Anderson. Serigraph, 2003. Image size 4 1/4 x 4 1/4″ (10.8 x 10.8 cm). LINK.

In a trio of highly patterned, organic collages entitled “Room to Grow” Heather McMordie links the puzzle-like nature of printmaking and geology.  Creating three large editions from one woodblock and one lithographic stone, and then drawing on, cutting apart, and piecing together these editions, McMordie takes the composition in as many different directions as possible, paralleling how a combination of just a few elements can create countless different minerals, rocks, and soils. Pattern in nature is further explored in Barbara Milton’s dizzying examination of layered tree leaves, Cleo Wilkinsons’ haunting portrait of the folds and subtle curves of a hibiscus flower, and Nancy Previs’ intimate, mystical composition of water flowing over rough rock, printed in green tint.

All together, the show encourages the viewers to pause, see, and reflect on the spaces, natural or man-made, that they occupy throughout the day.

Selected Artists: Patrick Anderson, Philip Bennet, Grace Bentley Scheck, Steven Brigidi, Richard T. Davis, James Haggerty, Heather McMordie, Barbara Minton, Jake Muirhead, Ilse Schreiber-Noll, Ellen Nathan Singer, Nancy Previs, Steven Walker, Larry Welo, Art Werger, and Cleo Wilkinson.

Celestial Light. [The Metropolitan Museum of Art.] By James Haggerty. Etching and chine colle, 2004. Image size 11 11/6 x 5 13/16" (297 x 147 mm). LINK.

Celestial Light. [The Metropolitan Museum of Art.] By James Haggerty. Etching and chine colle, 2004. Image size 11 11/6 x 5 13/16″ (297 x 147 mm). LINK.

Verdure. By Barbara Minton. Etching and aquatint printed in color, 2000. Image size 17 3/8 x 14 3/4" (44.1 x 37.5 cm). LINK.

Verdure. By Barbara Minton. Etching and aquatint printed in color, 2000. Image size 17 3/8 x 14 3/4″ (44.1 x 37.5 cm). LINK.

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Our Mixed Winter Show is now on view at The Old Print Gallery. Stop by our Georgetown shop to see these stunning original 20th century and contemporary prints.Mixed Winter Show

Contemporary, Early 20th Century, Gallery Openings, Prints

On View Now…

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Abstract, Citiscapes, Contemporary, Early 20th Century, Figurative, Prints

Mixed Winter Show

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16" (137 x 177 mm). Signed in pencil.

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16″ (137 x 177 mm). Signed in pencil.

From November 20th through February 12th, the Old Print Gallery will display a new selection of prints from emerging and established printmakers, pulling from both our 20th century and contemporary print collection. This showcase of prints will exhibit a variety of printmaking techniques, and range from representational to abstract in theme. Just in time for the 2015 Holiday Season, this eclectic and impressive mix will have original artwork available at all price points, with prints desirable to the seasoned art collector as well as those looking to break into the market.

Selected Artists: Alexander Archipenko, Albert W. Barker, Philip Bennet, Matt Brown, Asa Cheffetz, Robert Cook, Michael Di Cerbo, Werner Drewes, Richard Florsheim, Eric Goldberg, Rockwell Kent, Richard Lubell, Heather McMordie, Frederick Mershimer, Jake Muirhead, Karima Muyaes, Ilse Schreiber-Noll, Matt Phillips, Emilio Sanchez, Gerald Scheck, Ellen Nathan Singer, Benton Murdoch Spruance, and Lawrence N. Wilbur.

To see the prints included in the show, click here.

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4" (428 x 337 mm).

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4″ (428 x 337 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8" (428 x 327 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8″ (428 x 327 mm).

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4".

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4″.

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Contemporary, Gallery Updates, Lithograph, Prints

Washington Post Review of “Winter Contemporary Show”

(L) Persistent Optimism 4b. By Heather McMordie. Stone lithograph with woodcut and mixed media, 2014. Ed. 2/3. Paper size 11 x 10".  (C) Persistent Optimism 2b. By Heather McMordie. Stone lithograph with woodcut and mixed media, 2014. Ed 2/3. Paper size 11 x 10".  (R) Persistent Optimism 4a.  By Heather Mcmordie. Stone lithograph with woodcut and mixed media, 2014. Ed 1/3. Paper size 11 x 10".  LINK.

Persistent Optimism series By Heather McMordie. Stone lithograph with woodcut and mixed media, 2014. Ed. of 3. Paper size 11 x 10″.
LINK.

Mark Jenkins, arts writer for The Washington Post, featured our Winter Contemporary Show  in his most recent column. Follow the link below to read his article, and make sure to stop by the gallery before February 14 to see the show in person.

Washington Post 1/09/15 review of Winter Contemporary Show

( Quick note: Our exhibit  is the last show reviewed, so it does take some scrolling to get to the write up on the Winter Contemporary Show).

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Aquatint, Contemporary, Early 20th Century, Etching, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Prints

Tonal Array: Aquatints from the 20th and 21st Century

Beyond the Silence (3) by Takamune Ishiguro. Aquatint, 2008. Image size 23 5/8 x 23 5/8" (600 x 601 mm). Edition 5. Signed, titled, and dated in pencil. LINK.

Beyond the Silence (3) by Takamune Ishiguro. Aquatint, 2008. Image size 23 5/8 x 23 5/8″ (600 x 601 mm). Edition 5. Signed, titled, and dated in pencil.

We are very excited to announce our new upcoming show, Tonal Array: Aquatints from the 20th and 21st Century, which will open on Friday, February 20, 2015 with an opening reception from 5-7 pm at the gallery. The show will continue until April 11, 2015.

Aquatint is an etching technique that creates areas of tone through the use of a powdered or ground resin that is sprinkled on a metal plate prior to being bitten by etching acid. Although primarily used in the 18th and 19th centuries as a medium to reproduce the delicate fluidity and transparency of watercolors and paintings, the aquatint survived as an artist’s medium because of its atmospheric effects and flat wash properties. Tonal Array draws attention to the talented printmakers of the 20th and 21st century who experimented and pushed the boundaries of aquatint’s potential. Varying between flat color planes and incredible plate texture, as well as dramatic areas of light and dark, these artists demonstrate a fluid and experimental handling of the medium. The resulting images have an expressive strength and visual intensity that relays the ingenuity to be found in the world of original printmaking.

Selected Artists: Linda Adato, John Taylor Arms, Letterio Calapai, Frank Cassara, Joseph Essig, Eric Goldberg, Takamune Ishiguro, Chaim Koppelman, Richard Lubell, Mary Manusos, Frederick Mershimer, Charles F. Mielatz, Jake Muirhead, Merle Perlmutter, Gerald Scheck, Ellen Nathan Singer, Richard Sloat, Mayumi Takagi, and Henry Ziegler.

Check back soon for more information about the show, about the rich history of aquatints, as well as more show images!

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