Color etching, Contemporary, Early 20th Century, Etching, Gallery Event, Gallery Opening Receptions, Gallery Openings, Landscapes, Prints

“Resonant Terrain” Opens This Week!

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Resonant Terrain opens on Friday, April 17th, with a nighttime reception at the gallery from 5-7pm. The prints selected for the show unveil the emotional power and pull of the natural world, a beauty and mystery that entraps and enchants artists, and serves as a deep pool of inspiration for their work. This exhibit of landscapes in print features work by both 20th century and contemporary printmakers and will remain on view until July 11th.

Selected Artists: Philip Bennet, Grace Bentley-Scheck, Matt Brown, Charles E. Burchfield, George E. Burr, Letterio Calapai, Sylvie Covey, Joseph Essig, Richard Florsheim, Emil Ganso, Maya Hardin, George Overbury “Pop” Hart, Peter Hurd, Robert Kipniss, Gene Kloss, Evan Lindquist, Donald Shaw MacLaughlan, Thomas W. Nason, Margaret J. Patterson, Nancy Previs, Gerald Scheck, Steven E. Walker, Levon West, and Harry Wickey.

To see the prints included in the show, click here. 

To read more about the show, click here.

Image Credit: Iceland Rocks I. By Joseph Essig. Etching printed in color and finished by hand, 2014. Image size 12 9/16 x 10 9/16 inches. Signed and titled in pencil. Edition 65. Inscribed “1/65.”

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Abstract, Aquatint, Contemporary, Drypoint, Early 20th Century, Engraving, Etching, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Landscapes, Mezzotint, Photo engraving, Prints

“Resonant Terrain” to open on April 17th

The Old Print Gallery is excited to announce its new print exhibit, Resonant Terrain, which will open on Friday April 17th, with a nighttime reception at the gallery from 5-7pm. This exhibit of landscapes in print features work by both 20th century and contemporary printmakers, including Matt Brown, Margaret Patterson, Joseph Essig, Sylvie Covey, John Taylor Arms, and more. The selected works range from representational to abstract, depicting vistas, valleys, and views of our shared terrain. The show will remain on view until July 11th.

Sentinels. Robert Kipniss. Mezzotint, 1992. Editon 60 + 10 ap. Image size 13 13/16 x 9 1/4" (350 x 234 mm).

Sentinels. Robert Kipniss. Mezzotint, 1992. Editon 60 + 10 ap. Image size 13 13/16 x 9 1/4″ (350 x 234 mm).

The landscape has a long tradition in art, and Resonant Terrain explores how printmakers choose to depict the natural world through its evolution and transformation into the modern era. Although united in the theme of landscape, the works are realized through differing conceptual and methodical approaches. Some, like Robert Kipniss, use the velvety blacks and luminous whites of a mezzotint to infuse landscapes with a poetic melancholy and stillness- depicting a terrain seemingly untouched by the viewer or even the artist. Others, like Harry Wickey and Gerald Scheck, use the chaotic crosshatching of a drypoint needle or the unpredictable acidic bite of the aquatint to evoke the untamed, wild majesty of the natural world.

Storm in the Mountains. Harry Wickey. Drypoint, 1935. Edition 100. Image size 8 7/8 x 12 3/4" (223 x 324 mm).

Storm in the Mountains. Harry Wickey. Drypoint, 1935. Edition 100. Image size 8 7/8 x 12 3/4″ (223 x 324 mm).

Alone Again.  Gerald Scheck. Drypoint, etching, and aquatint, 2005. Edition 25. Image size 19 5/8 x 21 3/4" (497 x 550 mm).

Alone Again. Gerald Scheck. Drypoint, etching, and aquatint, 2005. Edition 25. Image size 19 5/8 x 21 3/4″ (497 x 550 mm).

As our landscapes evolve and modernize, so too do the artists’ tools and technologies, as shown in the methods of two contemporary printmakers selected for the exhibit. Nancy Previs crafts photopolymer plates from her own un-retouched photographs, documenting the life-force of the natural world found hidden within her increasingly urbanized home city of Dublin.  Using a similar photogravure process, Sylvie Covey transforms her own photographs into impressive, mammoth-sized prints of the vast Wyoming landscape.

Seen together, the prints selected for the show unveil the emotional power and pull of the natural world, a beauty and mystery that entraps and enchants artists, and serves as a deep pool of inspiration for their work.

Wyoming III. Sylvie Covey.  Photogravure, 2011. Edition 6. Image size 18 x 23 7/8" (457 x 608 mm).

Wyoming III. Sylvie Covey. Photogravure, 2011. Edition 6. Image size 18 x 23 7/8″ (457 x 608 mm).

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