Our Mixed Winter Show is now on view at The Old Print Gallery. Stop by our Georgetown shop to see these stunning original 20th century and contemporary prints.Mixed Winter Show

Contemporary, Early 20th Century, Gallery Openings, Prints

On View Now…

Image
Abstract, Citiscapes, Contemporary, Early 20th Century, Figurative, Prints

Mixed Winter Show

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16" (137 x 177 mm). Signed in pencil.

Bowsprit. By Rockwell Kent. Wood engraving, 1930. Edition 120. Image size 5 5/8 x 6 15/16″ (137 x 177 mm). Signed in pencil.

From November 20th through February 12th, the Old Print Gallery will display a new selection of prints from emerging and established printmakers, pulling from both our 20th century and contemporary print collection. This showcase of prints will exhibit a variety of printmaking techniques, and range from representational to abstract in theme. Just in time for the 2015 Holiday Season, this eclectic and impressive mix will have original artwork available at all price points, with prints desirable to the seasoned art collector as well as those looking to break into the market.

Selected Artists: Alexander Archipenko, Albert W. Barker, Philip Bennet, Matt Brown, Asa Cheffetz, Robert Cook, Michael Di Cerbo, Werner Drewes, Richard Florsheim, Eric Goldberg, Rockwell Kent, Richard Lubell, Heather McMordie, Frederick Mershimer, Jake Muirhead, Karima Muyaes, Ilse Schreiber-Noll, Matt Phillips, Emilio Sanchez, Gerald Scheck, Ellen Nathan Singer, Benton Murdoch Spruance, and Lawrence N. Wilbur.

To see the prints included in the show, click here.

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4" (428 x 337 mm).

Nude Woman. [Untitled.] Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 78 x 13 1/4″ (428 x 337 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8" (428 x 327 mm).

Impossible Dreams. Ilse Schreiber-Noll. Color woodcut, 1991. Edition 5. Image size 16 7/8 x 12 7/8″ (428 x 327 mm).

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

In the Hill Country. (Vermont). Asa Cheffetz. Published by Associated American Artists. Wood engraving, c. 1943. Edition 250. Image size 5 1/2 x 8 3/4 inches.

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4".

Celebration #2. Philip Bennet. Watercolor monotype, 2014. Ed 1/1. Image size 10 x 13 3/4″.

Standard
Color etching, Contemporary, Early 20th Century, Etching, Gallery Event, Gallery Opening Receptions, Gallery Openings, Landscapes, Prints

“Resonant Terrain” Opens This Week!

RT_Small PROMO

Resonant Terrain opens on Friday, April 17th, with a nighttime reception at the gallery from 5-7pm. The prints selected for the show unveil the emotional power and pull of the natural world, a beauty and mystery that entraps and enchants artists, and serves as a deep pool of inspiration for their work. This exhibit of landscapes in print features work by both 20th century and contemporary printmakers and will remain on view until July 11th.

Selected Artists: Philip Bennet, Grace Bentley-Scheck, Matt Brown, Charles E. Burchfield, George E. Burr, Letterio Calapai, Sylvie Covey, Joseph Essig, Richard Florsheim, Emil Ganso, Maya Hardin, George Overbury “Pop” Hart, Peter Hurd, Robert Kipniss, Gene Kloss, Evan Lindquist, Donald Shaw MacLaughlan, Thomas W. Nason, Margaret J. Patterson, Nancy Previs, Gerald Scheck, Steven E. Walker, Levon West, and Harry Wickey.

To see the prints included in the show, click here. 

To read more about the show, click here.

Image Credit: Iceland Rocks I. By Joseph Essig. Etching printed in color and finished by hand, 2014. Image size 12 9/16 x 10 9/16 inches. Signed and titled in pencil. Edition 65. Inscribed “1/65.”

Standard
Abstract, Aquatint, Contemporary, Drypoint, Early 20th Century, Engraving, Etching, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Landscapes, Mezzotint, Photo engraving, Prints

“Resonant Terrain” to open on April 17th

The Old Print Gallery is excited to announce its new print exhibit, Resonant Terrain, which will open on Friday April 17th, with a nighttime reception at the gallery from 5-7pm. This exhibit of landscapes in print features work by both 20th century and contemporary printmakers, including Matt Brown, Margaret Patterson, Joseph Essig, Sylvie Covey, John Taylor Arms, and more. The selected works range from representational to abstract, depicting vistas, valleys, and views of our shared terrain. The show will remain on view until July 11th.

Sentinels. Robert Kipniss. Mezzotint, 1992. Editon 60 + 10 ap. Image size 13 13/16 x 9 1/4" (350 x 234 mm).

Sentinels. Robert Kipniss. Mezzotint, 1992. Editon 60 + 10 ap. Image size 13 13/16 x 9 1/4″ (350 x 234 mm).

The landscape has a long tradition in art, and Resonant Terrain explores how printmakers choose to depict the natural world through its evolution and transformation into the modern era. Although united in the theme of landscape, the works are realized through differing conceptual and methodical approaches. Some, like Robert Kipniss, use the velvety blacks and luminous whites of a mezzotint to infuse landscapes with a poetic melancholy and stillness- depicting a terrain seemingly untouched by the viewer or even the artist. Others, like Harry Wickey and Gerald Scheck, use the chaotic crosshatching of a drypoint needle or the unpredictable acidic bite of the aquatint to evoke the untamed, wild majesty of the natural world.

Storm in the Mountains. Harry Wickey. Drypoint, 1935. Edition 100. Image size 8 7/8 x 12 3/4" (223 x 324 mm).

Storm in the Mountains. Harry Wickey. Drypoint, 1935. Edition 100. Image size 8 7/8 x 12 3/4″ (223 x 324 mm).

Alone Again.  Gerald Scheck. Drypoint, etching, and aquatint, 2005. Edition 25. Image size 19 5/8 x 21 3/4" (497 x 550 mm).

Alone Again. Gerald Scheck. Drypoint, etching, and aquatint, 2005. Edition 25. Image size 19 5/8 x 21 3/4″ (497 x 550 mm).

As our landscapes evolve and modernize, so too do the artists’ tools and technologies, as shown in the methods of two contemporary printmakers selected for the exhibit. Nancy Previs crafts photopolymer plates from her own un-retouched photographs, documenting the life-force of the natural world found hidden within her increasingly urbanized home city of Dublin.  Using a similar photogravure process, Sylvie Covey transforms her own photographs into impressive, mammoth-sized prints of the vast Wyoming landscape.

Seen together, the prints selected for the show unveil the emotional power and pull of the natural world, a beauty and mystery that entraps and enchants artists, and serves as a deep pool of inspiration for their work.

Wyoming III. Sylvie Covey.  Photogravure, 2011. Edition 6. Image size 18 x 23 7/8" (457 x 608 mm).

Wyoming III. Sylvie Covey. Photogravure, 2011. Edition 6. Image size 18 x 23 7/8″ (457 x 608 mm).

Standard
Aquatint, Contemporary, Early 20th Century, Etching, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Prints

Tonal Array: Aquatints from the 20th and 21st Century

Beyond the Silence (3) by Takamune Ishiguro. Aquatint, 2008. Image size 23 5/8 x 23 5/8" (600 x 601 mm). Edition 5. Signed, titled, and dated in pencil. LINK.

Beyond the Silence (3) by Takamune Ishiguro. Aquatint, 2008. Image size 23 5/8 x 23 5/8″ (600 x 601 mm). Edition 5. Signed, titled, and dated in pencil.

We are very excited to announce our new upcoming show, Tonal Array: Aquatints from the 20th and 21st Century, which will open on Friday, February 20, 2015 with an opening reception from 5-7 pm at the gallery. The show will continue until April 11, 2015.

Aquatint is an etching technique that creates areas of tone through the use of a powdered or ground resin that is sprinkled on a metal plate prior to being bitten by etching acid. Although primarily used in the 18th and 19th centuries as a medium to reproduce the delicate fluidity and transparency of watercolors and paintings, the aquatint survived as an artist’s medium because of its atmospheric effects and flat wash properties. Tonal Array draws attention to the talented printmakers of the 20th and 21st century who experimented and pushed the boundaries of aquatint’s potential. Varying between flat color planes and incredible plate texture, as well as dramatic areas of light and dark, these artists demonstrate a fluid and experimental handling of the medium. The resulting images have an expressive strength and visual intensity that relays the ingenuity to be found in the world of original printmaking.

Selected Artists: Linda Adato, John Taylor Arms, Letterio Calapai, Frank Cassara, Joseph Essig, Eric Goldberg, Takamune Ishiguro, Chaim Koppelman, Richard Lubell, Mary Manusos, Frederick Mershimer, Charles F. Mielatz, Jake Muirhead, Merle Perlmutter, Gerald Scheck, Ellen Nathan Singer, Richard Sloat, Mayumi Takagi, and Henry Ziegler.

Check back soon for more information about the show, about the rich history of aquatints, as well as more show images!

Standard