From November 20th through February 12th, the Old Print Gallery will display a new selection of prints from emerging and established printmakers, pulling from both our 20th century and contemporary print collection. This showcase of prints will exhibit a variety of printmaking techniques, and range from representational to abstract in theme. Just in time for the 2015 Holiday Season, this eclectic and impressive mix will have original artwork available at all price points, with prints desirable to the seasoned art collector as well as those looking to break into the market.
Selected Artists: Alexander Archipenko, Albert W. Barker, Philip Bennet, Matt Brown, Asa Cheffetz, Robert Cook, Michael Di Cerbo, Werner Drewes, Richard Florsheim, Eric Goldberg, Rockwell Kent, Richard Lubell, Heather McMordie, Frederick Mershimer, Jake Muirhead, Karima Muyaes, Ilse Schreiber-Noll, Matt Phillips, Emilio Sanchez, Gerald Scheck, Ellen Nathan Singer, Benton Murdoch Spruance, and Lawrence N. Wilbur.
To see the prints included in the show, click here.
Our October 2015 Showcase has been sent to those on our mailing list, and can now be viewed online (just click the link below). Highlights in this issue include 19th century city views, maps from Jacques N. Bellin’s 1764 maritime atlas, Denton fish prints, Winslow Homer illustrations, and prints from our two most recent gallery shows, 20th Century People and Monotypes.
Published in both traditional and digital media forms, we are now able to share our fantastic collection in a whole new way. We are already working on our next issue, which should arrive in time for the 2015 holiday season. To receive our next Showcase, just send us your mailing information, via email.
With the new fall season comes new prints for the gallery walls. We opened 20th Century People two weeks ago on one side of the gallery, and are in the process of hanging our “historic” side of the gallery with antique prints and maps which show off the full range of our gallery’s collection. Two new prints to this side of the wall are from Weinmann’s 18th century botanical masterpiece, Phytanthoza iconographia.
A truly ambitious project, the Phytanthoza iconographia includes 8 folio volumes and over 1000 plates, resulting in one of the most comprehensive reference on plants, flowers, and fruits of the eighteen century. The collection is impressive in both size and scope, both almost unparalleled in beauty. Weinmann utilized the talents of Georg Dionysius Ehret, a distinguished botanical artist credited with being the greatest influence on 18th century botanical painters, in addition to the help he received by N. Assam, B. Seuter, J.E. Rindinger and J. Haid. Ehret is responsible for roughly 500 plates, half of the images in the collection.
Weinmann was one of the first printmakers to produce color printing from a single plate, resulting in a vibrant and cohesive image. The two prints selected, Beta alba, poiree blanc and Aloe Americana toberosa yuccae follis are excellent examples of the rich coloration achieved by this single-plate process. Vibrant greens and blues are coupled with a warm yellow under tone, a combination that makes these botanicals pop off the creamy 18th century paper.
Phytanthoza iconographia was published in both Latin and German editions, and a Dutch edition appeared in four volumes in 1736-1748. It was the Dutch edition that was brought to Japan in the early nineteenth century, and some of Weinmann’s illustrations were the source for those in Honzu zufu, the monumental Japanese botanical work by Iwasaki Tsunemasa. Honzu zufu was one of the two most important treatises on systematic botany in the Tokugawa period (1603-1867).