Today we have two beautiful nude prints, one by contemporary Bill Murphy and the other by 20th century painter and printmaker Alessandro Mastro-Valerio. Followers of the OPG Blog are already familiar with Alessandro Mastro-Valerio (we have featured his prints here, here, and here), but this is the first time we have showcased work by Bill Murphy.
Murphy was born in Staten Island in 1952. He studied at The School of Visual Arts, The Art Students League, Pratt Graphic Center, and received an MFA from Vermont College. He holds the rank of Professor of Visual Arts at Wagner College, Staten Island where he has taught since 1983. Murphy is a member of Audubon Artists, Print Club of Albany, and the Society of American Graphic Artists (SAGA).
A particularly poignant line from Murphy’s artist statement is a great illumination of what makes his prints so successful: “The aspect of picture-making which intrigues me the most is at the point where luck and intention meet – the crisscrossing of fate and accident on the way to finding a picture.” His nude lithograph is a perfect visual testament to his instinctive and liberated method; it is a very subtle print- not overworked or exhaustive in its line work. Similarly, Mastro-Valerio’s nude benefits from a softer and delicate touch. The sheets are a tumble of indistinguishable folds, and his use of line is sparse- with only subtle definitions to the curve of the hip, shoulders, and hands, leaving the face and background bathed in shadows.
We hope you enjoy these two beautiful prints!
Image on the Left: Repose. Alessandro Mastro-Valerio. Mezzotint, 1948. Edition of 20. Estate Signed. LINK.
Image on the Right: Reclining Nude. By Bill Murphy. Lithograph, 1988. Edition 10. Signed and titled in pencil. LINK.