From November 20th through February 12th, the Old Print Gallery will display a new selection of prints from emerging and established printmakers, pulling from both our 20th century and contemporary print collection. This showcase of prints will exhibit a variety of printmaking techniques, and range from representational to abstract in theme. Just in time for the 2015 Holiday Season, this eclectic and impressive mix will have original artwork available at all price points, with prints desirable to the seasoned art collector as well as those looking to break into the market.
Selected Artists: Alexander Archipenko, Albert W. Barker, Philip Bennet, Matt Brown, Asa Cheffetz, Robert Cook, Michael Di Cerbo, Werner Drewes, Richard Florsheim, Eric Goldberg, Rockwell Kent, Richard Lubell, Heather McMordie, Frederick Mershimer, Jake Muirhead, Karima Muyaes, Ilse Schreiber-Noll, Matt Phillips, Emilio Sanchez, Gerald Scheck, Ellen Nathan Singer, Benton Murdoch Spruance, and Lawrence N. Wilbur.
To see the prints included in the show, click here.
We have a new Past/Present post for our readers today, featuring two vividly colored prints of flower bouquets. Both sharing strong compositional value, the selected prints place the bouquets against a striking black background, allowing the pink, yellow, and blue petals to almost pop off the paper.
The older print is a lithograph from the 19th century publishing firm, Currier and Ives. All Currier & Ives lithographs were printed in black and white, and then hand colored after printing. In contrast, the print by 20th century Cuban-American artist Emilio Sanchez is a color lithograph, meaning the color was adding during the printing process, not later by hand. Despite their different applications of color, they both make stunning prints.
The Currier and Ives print continues the tradition of the floral still life, which first flourished in the Netherlands in the 1600s. With an overflowing arrangement of flowers, additional natural elements like eggs and a nest pictured to the side, and the meticulous detail given to both the petals and the woven basket holding the flowers, the Currier print is an ebullient display of abundance in harmonious balance. In contrast, Sanchez has a looser, amorphous approach to the flowers, emphasizing color and form over detail, and opting for a smaller bouquet and sparse vase. Hope you enjoy!
Image on the left: A Choice Bouquet. Published by Currier & Ives, 125 Nassau St. New York. Lithograph, hand-colored, 1872. Image size 8 1/2 x 12 1/2″ (215 x 318 mm).
Image on the right: Florecitas. By Emilio Sanchez. Color lithograph, 1997. Image size 15 3/4 x 8 7/8″ (394 x 227 mm). Edition 50. Signed, titled and numbered in pencil.
The Old Print Gallery is pleased to announce its summer 2014 show, Form, Light, Line: Architecture in Print. This group show of 19 printmakers spans over 90 years of creative expression, with prints by 20th century American masters John Taylor Arms, Martin Lewis, and Armin Landeck coupled with works by cutting-edge, contemporary printmakers. Form, Light, Line opens on Friday, June 20, with a nighttime reception at the gallery from 5-8pm. The show will remain on view until September 13, 2014.
Artists have long found beauty in the strength, durability, and utility of architecture. Form, Light, Line allows viewers to experience the familiar composition of buildings through the artist’s eye- to visually explore how surface captures light, how windows both reveal and reflect, and how dimensional spaces can be flattened and abstracted into planes of light and dark.
Highlights include a trio of black and white graphic serigraphs by Patrick J. Anderson, John Taylor Arms’ meticulous 1927 etching Lace in Stone, Rouen Cathedral, and a 1929 study for a large watercolor, Spiral Staircase, from the Martin Lewis estate. This pen and ink representation of the Queensboro Bridge is a delicate exploration of space and shading. Also on view is an Armin Landek 1941 engraving Rooftop, with accompanying annotated pen and pencil study for the print. The pair reveals the artist’s approach to perspective, as well as sketches of specific architectural elements, like moldings and chimneys.
Selected Artists: Linda Adato, Patrick J. Anderson, John Taylor Arms, William Behnken, Grace Bentley-Scheck, Joan Drew, Richard Haas, Su-Li Hung, Sidney Hurwitz, Armin Landeck, Martin Levine, Martin Lewis, Frederick Mershimer, John Ross, Emilio Sanchez, Art Werger, Steven Yamin, and Alex Zwarenstein.
To see all the prints selected for Form, Light, Line: Architecture in Print, please visit our website.
Our new May 2014 Showcase has been sent out to our mailing list, and should hit mailboxes this week. The month’s catalog features a wide range of prints related to architecture. Highlights include antique black and white engravings of architectural elements by Domenico de Rossi, compelling bird’s eye views of cities both foreign and domestic, as well as Gualtieri’s 1742 engravings of shells in spherical, spiked, and fractal forms. The showcase also highlights a sampling of early 20th century and contemporary explorations of space, light, and perspective by artists like Martin Lewis, Emilio Sanchez, John Ross, and many more.
Published in both traditional and digital media forms, we are now able to share our fantastic collection in a whole new way. We are already working on our next issue, which should arrive in September. To receive our next Showcase, just send us your mailing information, via email.
Read the May Showcase:
We hope you enjoy it!