19th Century Maps, American Maps, Engraving, Maps, New Additions, Roto-engraving

New Additions: Cram’s 1898 City Plans

NEW ADDITIONS bannerNEW ADDITIONSWe recently added twenty-four city plans from a 1898 version of “Cram’s Unrivaled Atlas of the World” to our map inventory. George F. Cram Co. was a leading 19th and 20th century map firm, based out of Chicago and later Indianapolis. It was the first American firm to publish a world atlas, and brought globes, classroom maps, and educational atlases into the schools and homes of many. His “Unrivaled Atlas of the World” was so popular it was printed continuously from the 1880’s to 1952.

These maps shown today were printed using color rotogravure, an intaglio technique adopted in the late 19th century. For those looking to collect a map of their city or a favorite travel destination, these Cram maps are handsome and finely detailed. Many offer a key to prominent buildings, churches, attractions, and railroad depots within the city. They are attractively colored in blues, yellows, and pinks, and well sized at ~10 x 13 inches. We hope you enjoy these maps!

“Cram’s Unrivaled Atlas of the World” Maps Available at The Old Print Gallery:

  1. Baltimore.
  2. Buffalo.
  3. Brooklyn.
  4. Boston.
  5. Yellowstone National Park.
  6. Map of Parkersburg West Virginia, and Vicinity. 
  7. Richmond and Manchester, Virginia.
  8. Map of Cincinnati.
  9. Cleveland.
  10. Detroit.
  11. Map of the City of Saginaw, Michigan.
  12. Map of Chicago.
  13. St. Louis.
  14. Council Bluffs.
  15. Map of St. Paul.
  16. Omaha.
  17. Denver.
  18. Louisville.
  19. Nashville.
  20. Atlanta.
  21. New Orleans.
  22. Map of the City of Quebec.
  23. Dallas.
  24. City of Montreal.
Baltimore. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 10 1/8 x 12 1/2". LINK.

Baltimore. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 10 1/8 x 12 1/2″.

Brooklyn. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 10 1/16 x 11 1/8", plus text and margins.

Brooklyn. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 10 1/16 x 11 1/8″, plus text and margins.

Cleveland. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 9 7/8 x 12". LINK.

Cleveland. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 9 7/8 x 12″.

Map of Chicago. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 13 5/8  x 10". LINK.

Map of Chicago. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 13 5/8 x 10″.

Denver. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 13 1/8 x 10 1/2". LINK.

Denver. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 13 1/8 x 10 1/2″.

Atlanta. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 13  x 10 1/8". LINK.

Atlanta. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 13 x 10 1/8″.

New Orleans. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 11 1/4  x 9 3/4". LINK.

New Orleans. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 11 1/4 x 9 3/4″.

Map of the City of Quebec. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 11 1/4  x 9 3/4". LINK.

Map of the City of Quebec. Published by Geo. F. Cram, Chicago. Color rotogravure, 1898. Image size 11 1/4 x 9 3/4″.

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19th Century Maps, American Maps, Engraving, Maps, New Additions, Pocket Maps, Stone

New Additions: Washington DC Pocket Map

NEW ADDITIONS bannerNEW ADDITIONSWe just added an early pocket map of Washington DC to our inventory. Pocket maps, sometimes called case maps, are separately-issued, folding maps attached or slid into a hard cover. They first appeared in the United States in the 1820s and 30s, partly prompted by the burgeoning development of railways. The early pocket maps emphasize new railroad lines, canals, and road distances, sometimes with charts of calculated travel times to and from key cities. During the Civil War, pocket maps had significant military use due to portability and lower production costs. Later pocket maps were used like advertisements, produced by entrepreneurial business owners and travel companies.

Hope you enjoy!

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Map of the City of Washington. By F. C. DeKrafft. Published by A. Rothwell. Stone engraving,1836. 15 3/8 x 20 3/4″ plus hairline margins. Retains original red leather covers with gold tooled title, “City of Washington.” Accompanied by a 18 page guide to the city with the title, “Picture of the City of Washington, Being a Concise Description of the City, Public Buildings, &c. Accompanied by a correct map.” Of note, the newly formed “Jackson City” (1835) in shown across the Long Bridge in Virginia. The railroad route to Baltimore is also shown prominently on the map. Engraved by Mrs. W. I. Stone. B. Homans, printer  LINK.

 

 

 

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19th Century Prints, Botanical, Color Woodcut, Early 20th Century, Lithograph, Past/Present, Prints, Woodcut

Past/Present: Honeysuckle

past present logo copyToday we are happy to share a new Past/Present post, featuring two stunning honeysuckle prints. The older print is a scarce lithograph, with original hand color, from “Flora’s Dictionary,” by Mrs. E.W. Wirt of Virginia.  With a publication date of 1837, Mrs. Wirt’s book is one of the earliest colored botanical works published in America.  Rather than depicting a single flower, each plate shows a carefully selected grouping.  As Bennett notes, “The arrangements of flowers are beautifully balanced and the coloring is brilliant.”  (Bennett, “American Color Plate Books, 115).

The woodcut is by English woodcut artist Mayel Allington Royds (1874-1941). Royds grew up in Liverpool and turned down a scholarship at age of fifteen to the Royal Academy of London, in order to attend the Slade School of Art and study under the formidable Henry Tonks. After an apprenticeship in Paris working in the studio of Walter Sickert, Royds accepted a teaching post at the Havergal College in Toronto. She later returned to the UK to teach at the Edinburgh College of Art where she met three people integral to her artistic development and life: Samuel Peploe, a Scottish post-impressionist painter highly regarded for his mastery of color, Frank Morley Fletcher, under whose influence she took up Japanese color woodcuts, and her future husband, Scottish etcher E. S. Lumsden.

Together Lumsen and Royds traveled to Tibet and India, their experiences serving as inspiration for her later woodcuts, both in design and in the use of saturated, rich color. The scenes she created of India from 1920 to 1930s are some of her more renowned work. From 1930 to 1933, Royds created a series of flower prints, which utilized her bold color work and Japanese woodblock technique. These stunning compositions, including Honeysuckle, are now part of the permanent collection at the National Gallery of Scotland. Royds was a regular contributor to the Society of Scottish Artists, the Society of Artist Printers, and the Graver Printers in Colour, exhibited her work in Scotland, Manchester, and further abroad.

Hope you enjoy these two prints!

Image on the left: Honeysuckle, Coral Honeysuckle, Wild Honeysuckle, Hop. Plate XXIV.  From “Flora’s Dictionary,” by Mrs. E.W. Wirt of Virginia. Embellished by Mrs. Anna Smith. Published by Fielding Lucas, Jr., Baltimore. Lithograph, original hand color, 1837. Image size (vignette) 7 x 5″ (175 x 130 mm).

Image on the rightHoneysuckle. By Mabel A. Royds. Woodcut printed in color, 1935-38. Edition unknown. Image size 8 x 6 /12″ (203 x 165 mm).

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