Aquatint, Charcoal Drawing, Color Linocut, Color Woodcut, Drawing, Etching, Figurative, Lithograph, Pencil Drawing, Prints, Watercolor

“20th Century People” to Open in September

Untitled. [Young Girls.] Marion Greenwood, Lithograph, c. 1940. Edition unknown.  Image size 110 1/8 x 11 7/8" (257 x 302 mm). LINK.

Untitled. [Young Girls.] Marion Greenwood, Lithograph, c. 1940. Edition unknown. Image size 110 1/8 x 11 7/8″. LINK.

The Old Print Gallery’s new fall show, 20th Century People, will open on Friday, September 18th, with an opening reception from 5-7pm. The exhibit is a compendium of “people in prints” by some of the most celebrated 20th century American printmakers. Working and creating in a time when the art world was pushing towards abstract expressionism and modernism, these print artists stayed rooted in a sort of inherent figural humanism. With an exquisite ability to convey emotion through the anatomy of the human figure, the artists used their pencils, woodblocks, and burins to capture an arresting gaze, a fleeting moment between individuals, people at work, at play, and deep in thought. Seen together, these prints offer a glimpse of 20th century America, while also reminding viewers of our shared human condition. The show will remain on view until November 14, 2015.

Any Lobsters Today? Gordon Grant. Lithograph, 1946. Edition 250. Image size 9 1/8 x 12 inches. LINK.

Any Lobsters Today? Gordon Grant. Lithograph, 1946. Edition 250. Image size 9 1/8 x 12 inches. LINK.

Selected Artists: Peggy Bacon, Albert W. Barker, Will Barnet, Leonard Baskin, Thomas Hart Benton, Isabel Bishop, Abe Blasko, Ernest Fiene, Emil Ganso, Gordon Grant, Marion Greenwood, Irwin D. Hoffman, Martin Lewis, Charles W. Locke, James Penney, Robert Riggs, John Sloan, Bruce Waldman, Max Weber, and Anders Zorn.

Click HERE to see the prints included in the show. 

Single Strap Hanger. ISabel Bishop. Etching, 1950, printed 1981. Edition 25. Image size 8 1/4 x 3 1/4". LINK.

Single Strap Hanger. Isabel Bishop. Etching, 1950, printed 1981. Edition 25. Image size 8 1/4 x 3 1/4″. LINK.

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Color Woodcut, Contemporary, Monotype, Prints, Screenprint, Woodcut

Outside the Margin Series

Our 2014 Winter Contemporary Show is still on view at The Old Print Gallery. One of the best things about doing the Winter Contemporary Show every year is catching up with all our talented contemporary artists, seeing and learning about their new projects and experiments in printmaking. It is exciting to witness the evolution of their art over time, as they play with scale, new color palettes, subject matter, and technique.
Outside the Margin (3). Susan Goldman. Screenprint monotype with woodcut, 2014. Signed, titled, dated, and editioned on back by artist in pencil. Lily Press stamp in red ink on back. Paper size 10 x 8" (254 x 203 mm).  LINK.

Outside the Margin (3). Susan Goldman. Screenprint monotype with woodcut, 2014. Signed, titled, dated, and editioned on back by artist in pencil. Lily Press stamp in red ink on back. Paper size 10 x 8″ (254 x 203 mm). LINK.

Susan Goldman (no stranger to the OPG blog- read her interview here) is one of our contemporary printmakers from DC. We have represented her work for several years now, and her new series, entitled “Outside the Margin” is an intriguing transition from her previous work. While smaller in size than most of her other prints, you can certainly link the thematic elements to her earlier monotypes. In the past, Susan has worked with the image of an amphora, exploring and celebrating ancient civilizations’ reverence for the object. Homer describes the vessel as the “Prima Materia”, a metaphor for the womb of the earth. Swirling and blossoming, Goldman’s amphorae mirror the female silhouette as it generates and nurtures new life. In her new series, Goldman uses the motif of an amphora, but layers in new pattern work and symbolism-like concentric circles and blossoms.
“This varied edition evolved out of mixing my earlier ideas about pattern inspired by travel to Morocco and my new ideas about simplifying my approach to imagery of flowers, targets and amphorae. The layering of multiple print mediums relates to an archaeology of process, what is below is mysterious and fragmented, but as one uncovers the clues, a new picture emerges that references the past and the present.”- Susan Goldman
Outside the Margin (1). Susan Goldman. Screenprint monotype with woodcut, 2014. Signed, titled, dated, and editioned on back by artist in pencil. Lily Press stamp in red ink on back. Paper size 10 x 8" (254 x 203 mm).  LINK.

Outside the Margin (1). Susan Goldman. Screenprint monotype with woodcut, 2014. Signed, titled, dated, and editioned on back by artist in pencil. Lily Press stamp in red ink on back. Paper size 10 x 8″ (254 x 203 mm). LINK.

Outside the Margin (2). Susan Goldman. Screenprint monotype with woodcut, 2014. Signed, titled, dated, and editioned on back by artist in pencil. Lily Press stamp in red ink on back. Paper size 10 x 8" (254 x 203 mm). LINK.

Outside the Margin (2). Susan Goldman. Screenprint monotype with woodcut, 2014. Signed, titled, dated, and editioned on back by artist in pencil. Lily Press stamp in red ink on back. Paper size 10 x 8″ (254 x 203 mm). LINK.

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Color Woodcut, Contemporary, Gallery Updates, Prints, Woodcut

Thanksgiving Holiday Hours

Turkey. By Su-Li Hung. Woodcut, 1978. Edition 50. Image size 10 5/8 x 10 7/8" (273 x 278 mm). LINK.

Turkey. By Su-Li Hung. Color woodcut, 1978. Edition 50. Image size 10 5/8 x 10 7/8″ (273 x 278 mm). LINK.

Thanksgiving Hours:

  • Tuesday 11/25: Open 10:00 AM to 5:20 PM
  • Wednesday 11/26: Open 10:00 AM to 12:00 PM
  • Thursday 11/27: Closed for Thanksgiving
  • Friday 11/28- Saturday 11/29: Open 10:00 AM to 5:20 PM

We wish you all a happy Thanksgiving and safe travels. Above are our Thanksgiving holiday hours- feel free to stop by today, tomorrow, or Friday and Saturday to browse our extensive collection and to see our 2014 Winter Contemporary Show. The gallery is free and all ages are welcome. With prints and maps ranging from the 15th century to the 21st century, we have something for everyone to enjoy (and great gifts for the holidays).

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Abstract, Citiscapes, Color Woodcut, Early 20th Century, Engraving, Figurative, Gallery Updates, Landscapes, Prints, White-line Woodcut, Wood, woodblock print, Woodcut

Washington Post Review of “Ink & Grain”

Head of a Traveler. By Adja Yunkers. Color woodcut,  1952.  Image size 13 1/2 x 9 1/2". LINK.

Head of a Traveler. By Adja Yunkers. Color woodcut, 1952. Image size 13 1/2 x 9 1/2″. LINK.

Mark Jenkins, arts writer for The Washington Post, featured our woodcut and wood engraving show, Ink & Grain,  in his most recent column. Follow the link below to read his article, and make sure to stop by the gallery before November 15th to see the show in person.

Mark Jenkin’s Ink & Grain review in The Washington Post, 10/31/14.

(Quick note: Our exhibit  is the last show reviewed, so it does take some scrolling to get to the write up on Ink & Grain).

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16th Century Maps, 18th Century Maps, 18th Century Prints, 19th Century Prints, American Maps, Color Woodcut, Contemporary, Early 20th Century, Engraving, Gallery Updates, Landscapes, Maps, Natural History, Old Print Gallery Showcase, OPG Showcase, Portraits, Prints, White-line Woodcut, Wood, Woodcut

October 2014 Showcase- Read it Now!

Our new October 2014 Showcase has been sent out to our mailing list, and should hit mailboxes this week. The month’s catalog features a wide range of prints and maps from our collection, focusing on woodcuts and wood engravings.

We share 16th century woodcut maps, woodcut portraits from a scarce 18th century volume covering the discovery and exploration of America, and wood engravings from 19th century illustrator and artist Winslow Homer. The famous Fry-Jefferson map of Virginia can be found on page 6 and 7, and is supplemented with additional examples of great 18th century maps of North America. We highlight several striking Currier and Ives small folio landscapes and pair them with a breathtaking and exquisitely-colored impression of Landscape, Fruit and Flowers, published by the lithographic firm in 1862. We round out the catalog with a sampling of early 20th century and contemporary woodcuts, many of which are are featured in our current exhibition Ink & Grain.

Published in both traditional and digital media formats, we are now able to share our fantastic collection in a whole new way.  We are already working on our next issue, which should arrive during the holiday season. To receive our next Showcase, just send us your mailing information, via email.

Read the October Showcase:

The Old Print Gallery Showcase. October 2014. Volume XXXVII, Number 3. Click to read here.

The Old Print Gallery Showcase.
October 2014. Volume XXXVII, Number 3.
Click to read here.

We hope you enjoy it!

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