Drawing, Early 20th Century, Figurative, Prints, Sporting

Abe Blashko on Point of View

Market Vendors. Abe Blashko. Lithograph, 1940. Edition 53. Image size 19 3/4 x 12 3/8" (500 x 315 mm). LINK.

Market Vendors. Abe Blashko. Lithograph, 1940. Edition 53. Image size 19 3/4 x 12 3/8″ (500 x 315 mm). LINK.

“The turbulent social and political events of the 1930s were major contributors to my early development of a point of view. I was able to feel the pulse of that period and was fascinated with the faces and activities of the people around me, a fascination with their work, play, determination, strength, greed and evil.” Abe Blashko

Market. Abe Blashko. Graphite drawing with chalk highlights, 1937. Image size 13 1/2 x 20 3/4" (343 x 528 mm). LINK.

Market. Abe Blashko. Graphite drawing with chalk highlights, 1937.
Image size 13 1/2 x 20 3/4″ (343 x 528 mm). LINK.

The Pencil Vendor. Abe Blashko. Graphite drawing, 1937. Image size 22 3/4 x 13 3/8" (526 x 304 mm). LINK.

The Pencil Vendor. Abe Blashko. Graphite drawing, 1937. Image size 22 3/4 x 13 3/8″ (526 x 304 mm). LINK.

Standard
Drypoint, Early 20th Century, Etching, Prints, Sporting

Frank Benson on Light

The Guide. Frank W. Benson. Drypoint, 1920. Edition 150. Image size 6 7/8 x 10 7/8

The Guide. Frank W. Benson. Drypoint, 1920. Edition 150. Image size 6 7/8 x 10 7/8″ (173 x 273 mm). LINK.

“I follow the light, where it comes from, where it goes.” -Frank W. Benson (1862-1951)

Supper. Frank W. Benson. Etching, 1920. Edition 150. One known state. Image size 6 13/16 x 5 7/8

Supper. Frank W. Benson. Etching, 1920. Edition 150. One known state. Image size 6 13/16 x 5 7/8″ (173 x 124 mm). LINK.

Deer Hunter. Frank W. Benson. Etching, 1924. Edition 150. Image size  7 7/8 x 10 7/8

Deer Hunter. Frank W. Benson. Etching, 1924. Edition 150. Image size 7 7/8 x 10 7/8″ (200 x 278 mm). LINK.

Standard
17th Century Maps, 18th Century Maps, 19th Century Maps, 19th Century Prints, 20th Century Maps, American Maps, Aquatint, Contemporary, Early 20th Century, Foreign Maps, Foreign Views, Gallery Updates, Landscapes, Lithograph, Maps, Old Print Gallery Showcase, OPG Showcase, Pocket Maps, Prints, Sporting, World Maps

May 2015 Showcase- Read it Now!

Our new May 2015 Showcase has been sent out to our mailing list, and should hit mailboxes this week. The month’s catalog presents a wide range of prints and maps, at all price points. Highlights include Fritz Baedeker travel maps of popular cities and destinations, baseball scenes, college views, circus prints, Frederick Catherwood lithographs of ancient Mayan temples, and more! We have also feature several selections from our most recent aquatint show, Tonal Array, and our current landscape exhibit, Resonant Terrain.

Published in both traditional and digital media forms, we are now able to share our fantastic collection in a whole new way.  We are already working on our next issue, which should arrive in September. To receive our next Showcase, just send us your mailing information, via email.

Read the May Showcase:

The Old Print Gallery SHOWCASE.  Volume XXXVIII, Number 2.  May 2015. Click Here To Read!

The Old Print Gallery SHOWCASE.
Volume XXXVIII, Number 2. May 2015.
Click Here To Read!

We hope you enjoy it!

Standard
19th Century Prints, Chromolithograph, Lithograph, New Additions, Prints, Sporting

New Additions: Fishing Flies

NEW ADDITIONS bannerNEW ADDITIONSMary Orvis Marbury’s “Favorite Flies and Their Histories”  became a best seller among anglers after it first appeared in 1892 and went through nine printings by 1896. The 32 prints in this unique book are done in stunning chromolithography, as achieved by M. Bradley Co. Lith.

Mary Orvis Marbury was daughter to Charles Orvis, founder of Orvis, the fishing, hunting, and sporting good store dynasty based in Manchester, Vermont. Mary ran the company’s fly fishing department and was inspired to write the book when she realized how little standardization there was among fly patterns. For each fly illustrated in the book, there is a description or story regarding the creation, design, or naming of the particular fly. In many cases, these descriptions are just as colorful and engaging as the illustrations. They were compiled by Maybury from conversations with regional anglers, letters amassed over time with far away fishermen, and from customers that frequented her family’s famous fishing shop.

One example, from “Bass Flies, Plate X” (pictured below):

“No.240. The Cleveland. There was once a jolly club of three, who styled themselves the “Texas Club,” saying that “their membership consisted of President, Secretary, and Treasurer.” The club was a fishing-club, and met summers to rejoice in being together and in fishing “galore.” The Secretary and Treasurer were rivals always; their joys would have been incomplete without the never-ceasing spirit of contest. What one had the other had, too, if money or skill could procure it, be it a big fish or a new hat. The Cheney fly was made and named in honor of the Secretary. A little later, the maker of the Cheney fly mas a fly with a gallina wing and red and black body, somewhat similar to Dr. Henshall’s Polka, and to it was given the title Cleveland after the Treasurer. But alas for human hopes! One day the maker of these flies met the Treasurer, and this conversation ensued:

Treasurer: I have wanted to meet you for a long time. I have a questions to ask you. Now, honestly, don’t you think you put just a little more color into the Cheney fly than you did the Cleveland? Now answer me frankly.

Maker: I did not intend to do so, I assure you.

Treasurer: Well, but I think you did. Couldn’t it be dressed up a trifle, some way?

Maker: I am glad you spoke to me about it. I shall be pleased to try again, and to make a fly more worthy of the name.

Treasurer: Yes, do; and mind you put a little more gilt on it than is on Cheney’s.

This new Cleveland fly is an earnest endeavor to construct a fly in the embodiment of strength, modesty, brilliancy, and other sterling merits, traits that win and hold the friends of Mr. William D. Cleveland outside as well as within the Texas Club.”

We hope you enjoy these new additions to our sporting and fishing section. As always, the prints can be viewed online as well as in our Georgetown DC gallery.

Bass Flies. Plate X. Cleveland, Cheney, Chippy, Dark Flaggon, Croppie, Barnwell.  From "Favorite Flies and Their Histories," by Mary Orvis Marbury. "M. Bradley Co. Lith." Text with print. Chromolithograph, 1892. Image size 6 3/8 x 4 9/16" (162 x 116 mm). LINK.

Bass Flies. Plate X. Cleveland, Cheney, Chippy, Dark Flaggon, Croppie, Barnwell. From “Favorite Flies and Their Histories,” by Mary Orvis Marbury. “M. Bradley Co. Lith.” Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16″ (162 x 116 mm). LINK.

Bass Flies. Plate BB. Marston, Manchester, Horicon, Lake George, Max Von Dem Borne, Munro. From "Favorite Flies and Their Histories," by Mary Orvis Marbury. "M. Bradley Co. Lith." Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16" (162 x 116 mm). LINK.

Bass Flies. Plate BB. Marston, Manchester, Horicon, Lake George, Max Von Dem Borne, Munro. From “Favorite Flies and Their Histories,” by Mary Orvis Marbury. “M. Bradley Co. Lith.” Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16″ (162 x 116 mm). LINK.

Lake Flies. Plate J. Oquossoc, Klamath, no name, New Lake, Tomah Jo., Prince Island. From "Favorite Flies and Their Histories," by Mary Orvis Marbury. "M. Bradley Co. Lith." Text with print. Chromolithograph, 1892. Image size 6 3/8 x 4 9/16" (162 x 116 mm). LINK.

Lake Flies. Plate J. Oquossoc, Klamath, no name, New Lake, Tomah Jo., Prince Island. From “Favorite Flies and Their Histories,” by Mary Orvis Marbury. “M. Bradley Co. Lith.” Text with print. Chromolithograph, 1892. Image size 6 3/8 x 4 9/16″ (162 x 116 mm). LINK.

Bass Flies. Plate Z. Golden Dustman; Henshall; Knight Templar; Jungle Cock; Holberton; Holberton II. From "Favorite Flies and Their Histories," by Mary Orvis Marbury. "M. Bradley Co. Lith." Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16" (162 x 116 mm). LINK.

Bass Flies. Plate Z. Golden Dustman; Henshall; Knight Templar; Jungle Cock; Holberton; Holberton II. From “Favorite Flies and Their Histories,” by Mary Orvis Marbury. “M. Bradley Co. Lith.” Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16″ (162 x 116 mm). LINK.

Lake Flies. Plate K. Silver Doctor, H.P. Wells Pattern; Silver Doctor J. G. Shearer's Pattern; Silver Doctor, C. F. Orvis's Pattern; Spider; Seth Green; Silver Ibis. From "Favorite Flies and Their Histories," by Mary Orvis Marbury. "M. Bradley Co. Lith." Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16" (162 x 116 mm). LINK.

Lake Flies. Plate K. Silver Doctor, H.P. Wells Pattern; Silver Doctor J. G. Shearer’s Pattern; Silver Doctor, C. F. Orvis’s Pattern; Spider; Seth Green; Silver Ibis. From “Favorite Flies and Their Histories,” by Mary Orvis Marbury. “M. Bradley Co. Lith.” Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16″ (162 x 116 mm). LINK.

Lake Flies. Plate F. Green Weaver; Golden Pheasant; Gray Duke; Firey Brown; Grackle; Grasshopper. From "Favorite Flies and Their Histories," by Mary Orvis Marbury. "M. Bradley Co. Lith." Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16 inches. LINK.

Lake Flies. Plate F. Green Weaver; Golden Pheasant; Gray Duke; Firey Brown; Grackle; Grasshopper. From “Favorite Flies and Their Histories,” by Mary Orvis Marbury. “M. Bradley Co. Lith.” Text with print. Chromolithograph, 1892. Text with print. Image size 6 3/8 x 4 9/16 inches. LINK.

Standard
19th Century Prints, Color Linocut, Color Lithograph, Drawing, Early 20th Century, Engraving, Etching, Lithograph, Photo engraving, Prints, Sporting, Wood

Print Round-Up: Superbowl Edition

On Sunday, the Seattle Seahawks will face off against the New England Patriots in Super Bowl XLIX. Whether you are a fan of Tom Brady and the Patriots or your allegiances lie with the defensive-minded Seahawks, the game (and accompanying commercials, half-time show, and viewing parties) should result in an entertaining and fun event. To celebrate, we are sharing several of our football prints- both antique and modern- on the blog. Enjoy!

Big Game Bartlett Pears. Color lithograph, c. 1930's. Image size 10 7/8 x 7 3/8" (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin:  Walnut Grove, Sacramento Delta CA.  Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Big Game Bartlett Pears. Color lithograph, c. 1930’s. Image size 10 7/8 x 7 3/8″ (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin: Walnut Grove, Sacramento Delta CA. Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Football. Sybil Andrews.  Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2" (237 x 317 mm). LINK.

Football. Sybil Andrews. Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2″ (237 x 317 mm). LINK.

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16" (178 x 252 mm).

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16″ (178 x 252 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16" (349 x 504 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16″ (349 x 504 mm). LINK.

Holiday in Camp - Soldiers Playing "Foot-Ball". Winslow Homer. Published by Harper's Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4" (234 x 349 mm). LINK

Holiday in Camp – Soldiers Playing “Foot-Ball”. Winslow Homer. Published by Harper’s Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4″ (234 x 349 mm). LINK

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4" (173 x 273 mm).

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4″ (173 x 273 mm).

A Day With the Yale Team. Frederic Sackrider Remington. Harper's Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2" (353 x 218 mm). LINK.

A Day With the Yale Team. Frederick Sackrider Remington. Harper’s Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2″ (353 x 218 mm).

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper's Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2" (345 x 496 mm.). LINK.

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper’s Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2″ (345 x 496 mm.). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right "Spruance." Image size 13 x 18 1/4" (331 x 464 mm). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right “Spruance.” Image size 13 x 18 1/4″ (331 x 464 mm). LINK.

Foot-Ball - "Collared". [football]. Published in Harper's Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

Foot-Ball – “Collared”. Published in Harper’s Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

Standard