19th Century Prints, Aquatint, Engraving, Genre, Lithograph, Oil Painting, Prints, Stipple

Election Day

Happy Midterm Election Day! In honor of this very important day in our political process, we are sharing three prints by George Caleb Bingham.

The County Election. George Caleb Bingham. Published by Goupil & Co., New York, Paris, London. Stipple and line engraving,1854. Engraved by John Sartain. Image size 22 1/4 x 30" (564 x 760 mm) plus wide margins. LINK.

The County Election. George Caleb Bingham. Published by Goupil & Co., New York, Paris, London. Stipple and line engraving,1854. Engraved by John Sartain. Image size 22 1/4 x 30″ (564 x 760 mm) plus wide margins. At The Old Print Shop: LINK.

George Caleb Bingham is considered by many to be America’s finest genre painter. A number of his printed images, such as the one above, have a political theme. In 1840, Bingham was sent to the Whig convention at Rocheport, Missouri. It is believed that at the convention Bingham realized the artistic possibilities of the political scene and filled his drawing book up with sketches, which were later utilized for his large compositions. The other two large companion scenes to The County Election are Stump Speaking and the extremely rare Verdict of the People.

Stump Speaking. By George Caleb Bingham. Published by Fishel, Adler and Schwartz, 94 Fulton St., New York. Hand-colored stipple, line, and aquatint engraving, 1856. Engraved by Gautier. Image size 22 5/16 x 30" plus title and margins. LINK.

Stump Speaking. By George Caleb Bingham. Published by Fishel, Adler, and Schwartz, 94 Fulton St., New York. Hand-colored stipple, line, and aquatint engraving, 1856. Engraved by Gautier. Image size 22 5/16 x 30″ plus title and margins. At The Old Print Gallery: LINK.

The Verdict of the People. By George Caleb Bingham. Lithograph, 1858-59. Paper size 21 5/8 x 29 3/4" (549 x 755 mm). E. Maurice Bloch in George Caleb Bingham: A Catalogue Raisonne states that only two impressions of this print are known and both are proofs before title.  The two known impressions in the 1967 catalogue were in the collection of Mrs. A. S. Colgate of Tuxedo Park, N.Y. (that impression is currently in the Amon Carter Museum in Fort Worth, Texas) and in the Estate of Curtis B. Rollins, Columbia, Missouri (location of that impression is unknown).

The Verdict of the People. By George Caleb Bingham. Lithograph, 1858-59. Paper size 21 5/8 x 29 3/4″ (549 x 755 mm). E. Maurice Bloch in George Caleb Bingham: A Catalogue Raisonne states that only two impressions of this print are known and both are proofs before title. The two known impressions in the 1967 catalogue were in the collection of Mrs. A. S. Colgate of Tuxedo Park, N.Y. (that impression is currently in the Amon Carter Museum in Fort Worth, Texas) and in the Estate of Curtis B. Rollins, Columbia, Missouri (location of that impression is unknown).

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Abstract, Contemporary, Gallery Event, Gallery Opening Receptions, Gallery Openings, Gallery Updates, Landscapes, Lithograph, Mezzotint, Oil Painting, Pencil Drawing, Prints

Robert Kipniss. “Poetry of Art: Paintings, Drawings and Prints”

Forest murmurs. Robert Kipniss. Mezzotint, 2010. Image size 14 5/16 x 19 3/8" (363 x 493 mm). Edition 50.

Forest murmurs. Robert Kipniss. Mezzotint, 2010. Image size 14 5/16 x 19 3/8″ (363 x 493 mm). Edition 50.

Robert Kipniss.

Poetry of Art: Paintings, Drawings and Prints

Exhibition: October 18 through November 22, 2014.
Artist’s Reception: Thursday Night, October 23, 2014 4:30- 7pm

The Old Print Shop (our NYC partner gallery) is proud to present a new contemporary exhibit of over 30 recent works by Robert Kipniss. The exhibit opens today, and runs through late November. On view are paintings, prints, drawings, and poetry by this exceptional artist. Please make a point to stop by the NY gallery to see the show in person, or attend the Artist’s Reception next Thursday, October 23, from 4:30 to 7:00pm at the 152 Lexington Avenue gallery.

And on the Hill, Two Trees. Robert Kipniss. Oil on canvas, 2013. Canvas size 30 x 40" (76.2 x 101.6 cm).

And on the Hill, Two Trees. Robert Kipniss. Oil on canvas, 2013. Canvas size 30 x 40″ (76.2 x 101.6 cm).

Robert Kipniss – Painter, Printmaker, and Poet – was born in Brooklyn, NY, in 1931. In 1936, his family moved to Laurelton, New York, where he discovered the pleasure of being in the woods. His early love of the forest continues to this day in his images. He is often inviting the viewer into his private woods. In 1947, he took Saturday classes at the Art Students League and the next year he left for Wittenberg College (now University) in Springfield, Ohio. While at Wittenberg, he began to write poetry. By 1950, his passion was poetry, and he decided to major in literature and transferred to the University of Iowa. At the University of Iowa he took his first formal painting classes. In 1951 he entered a painting competition in New York City and was awarded his first one-artist show at the Joe Gans Gallery on 57th Street.  Kipniss has had over 180 one-artist shows since his first in 1951.

Window w/Curtain & Hill. Robert Kipniss. Oil on canvas, 2013. Canvas size 36 x 25" (91.5 x 63.5 cm).

Window w/Curtain & Hill. Robert Kipniss. Oil on canvas, 2013. Canvas size 36 x 25″ (91.5 x 63.5 cm).

In 1950, Kipniss made the decision that he was going to be a poet and a painter; however, life’s many turns often modify decisions made early in life. In 1961 he was working for the post office, painting, writing poetry, and supporting a family. Something had to give, so he made the decision to continue as a painter and support his family, which meant that he would stop writing poetry. The change was profound for his work to this day. His paintings and later his prints became poetic, mysterious, and inviting.

Trees, a composition. Robert Kipniss. Mezzotint, 2014. Image size 9 1/2 x 11 1/2" (235 x 295 mm). Edition 30.

Trees, a composition. Robert Kipniss. Mezzotint, 2014. Image size 9 1/2 x 11 1/2″ (235 x 295 mm). Edition 30.

He made his first prints, drypoints, in 1967. In 1968 he discovered lithography and connected to that form of printmaking for the next twenty-two years. Working with the master printers at George C. Miller in New York, he produced over 400 lithographic images. After Miller closed, he went back to intaglio, producing primarily mezzotints with an occasional drypoint.

Kipniss paintings and prints are in over seventy-five museums worldwide and many private collections. He is a member of the National Academy in New York, The Royal Society of Painter-Printmakers in London, The Society of American Graphic Artists, and the Century Association.

Eaves with Dark Window. Robert Kipniss. Pencil drawing on mylar, 1990. Image size 13 1/2 x 13 1/2" (343 x 343 mm).

Eaves with Dark Window. Robert Kipniss. Pencil drawing on mylar, 1990. Image size 13 1/2 x 13 1/2″ (343 x 343 mm).

Afternoon Breezes. Robert Kipniss. Pencil drawing, 2010. Image size 14 15/16 x 16 1/4" (380 x 420 mm).

Afternoon Breezes. Robert Kipniss. Pencil drawing, 2010. Image size 14 15/16 x 16 1/4″ (380 x 420 mm).

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Kaleidoscope Poster jpeg small 72dpi

Abstract, Contemporary, Monotype, Oil Painting, Prints

“Kaleidoscope” Opening Reception this Friday

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Contemporary, Gallery Updates, Monotype, Oil Painting, Prints

Philip Bennet Exhibit at Bethesda Library

Philip Bennet 2

Looking for something to do this weekend? Local DC artist and friend of the Old Print Gallery, Philip Bennet, has a one-person exhibit of paintings on view now at the Bethesda Library. Eight acrylic paintings on canvas and two monotypes by Bennet span across the library walls, while four glass cases hold two paintings each.  There are also two display cases that hold several plates he used to produce his monotypes (they show residue of colorful oil-based inks) as well as his sketch book, open to a beautiful abstract watercolor.

Philip BennetThis is really a great exhibit, which not only displays attractive paintings, but also explores the stages (sketches, plates, and the final artwork) of Philip Bennet’s creative process.

The exhibit is open 7 days a week, through the month of December, with the exception of December 25th.

Library Hours:  Monday-Thursday 9AM-9PM, Friday-Saturday 10AM-6PM, Sunday 12PM-5PM.

Library Address: 7400 Arlington Road, Bethesda, MD 20814

Website: http://www.montgomerycountymd.gov/library/branches/bethesda.html

For more information on Philip Bennet, read his Printmaker Q&A featured on the OPG Blog last November!

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Abstract, Aquatint, Collage, Contemporary, Figurative, Oil Painting, Prints, Woodcut

2013 Winter Contemporary Show

Moonrise Tide.  By Jake Muirhead. Softground and aquatint, 2013.

Moonrise Tide. By Jake Muirhead. Softground and aquatint, 2013.

The Old Print Gallery’s 2013 Winter Contemporary Show will open on Friday, November 15, 2013 with a celebratory nighttime reception from 5-8pm at the gallery. Eleven different artists, who use printmaking as their primary medium for artistic expression, were selected for this show.  The works chosen resonate with skill and intention, and reflect the current eclecticism of contemporary printmaking. The show will remain on view until February 15, 2014.

Highlights include new works by local DC artists Jake Muirhead and Phillip Bennet. Muirhead’s large seascape, Moonrise Tide, offers evidence of the artist’s capable and deliberate draftsmanship. In his smaller still life, Bulb, Muirhead uses flowing delicate lines and subtle aquatint, resulting in a print that feels both intimate and fresh. Philip Bennet’s new abstract works are almost playful with their use of brilliantly saturated colors and suggestive titles, All Seeing Eyes and The First Day.

The First Day. By Philip Bennet. Acrylic painting on paper, 2012.

The First Day. By Philip Bennet. Acrylic painting on paper, 2012.

Sumo Kimono. By Pia Oste-Alexander. Collage, undated.

Sumo Kimono. By Pia Oste-Alexander. Collage, undated.

The 2013 Winter Contemporary Show also highlights several innovative approaches to printmaking. Pia Oste-Alexander’s Sumo Kimono is an artful assemblage of artist painted and printed paper, fabric and found patterns.  The gallery is also excited to showcase two prints from Heather McMordie’s 2013 series Not Made For Each Other. In Not Made For Each Other, woodblocks carved with independently derived imagery are printed on top of one another to create one image out of two. The blocks themselves are not made for use together, but with careful color selection and deliberate compositional choices, a cohesive image emerges. According to the artist, the prints “challenge the preconceived notions of what colors, shapes, and textures should or should not ‘work together’, and demonstrate the ability of an object to adapt in relation to another object.”

Not Made For Each Other V. By Heather McMordie. Woodcut with hand-cut paper. Printed on BFK Rives paper. 2013.  *Photographed under glass.

Not Made For Each Other V. By Heather McMordie. Woodcut with hand-cut paper. Printed on BFK Rives paper. 2013. *Photographed under glass.

Selected Artists: Philip Bennet, Eric Goldberg, Susan Goldman, Su-Li Hung, Heather McMordie, Jake Muirhead, Karima Muyaes, Pia Oste-Alexander, Larry Welo, Art Werger, and Cleo Wilkinson.

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