19th Century Prints, Color Linocut, Color Lithograph, Drawing, Early 20th Century, Engraving, Etching, Lithograph, Photo engraving, Prints, Sporting, Wood

Print Round-Up: Superbowl Edition

On Sunday, the Seattle Seahawks will face off against the New England Patriots in Super Bowl XLIX. Whether you are a fan of Tom Brady and the Patriots or your allegiances lie with the defensive-minded Seahawks, the game (and accompanying commercials, half-time show, and viewing parties) should result in an entertaining and fun event. To celebrate, we are sharing several of our football prints- both antique and modern- on the blog. Enjoy!

Big Game Bartlett Pears. Color lithograph, c. 1930's. Image size 10 7/8 x 7 3/8" (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin:  Walnut Grove, Sacramento Delta CA.  Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Big Game Bartlett Pears. Color lithograph, c. 1930’s. Image size 10 7/8 x 7 3/8″ (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin: Walnut Grove, Sacramento Delta CA. Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Football. Sybil Andrews.  Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2" (237 x 317 mm). LINK.

Football. Sybil Andrews. Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2″ (237 x 317 mm). LINK.

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16" (178 x 252 mm).

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16″ (178 x 252 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16" (349 x 504 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16″ (349 x 504 mm). LINK.

Holiday in Camp - Soldiers Playing "Foot-Ball". Winslow Homer. Published by Harper's Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4" (234 x 349 mm). LINK

Holiday in Camp – Soldiers Playing “Foot-Ball”. Winslow Homer. Published by Harper’s Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4″ (234 x 349 mm). LINK

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4" (173 x 273 mm).

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4″ (173 x 273 mm).

A Day With the Yale Team. Frederic Sackrider Remington. Harper's Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2" (353 x 218 mm). LINK.

A Day With the Yale Team. Frederick Sackrider Remington. Harper’s Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2″ (353 x 218 mm).

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper's Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2" (345 x 496 mm.). LINK.

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper’s Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2″ (345 x 496 mm.). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right "Spruance." Image size 13 x 18 1/4" (331 x 464 mm). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right “Spruance.” Image size 13 x 18 1/4″ (331 x 464 mm). LINK.

Foot-Ball - "Collared". [football]. Published in Harper's Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

Foot-Ball – “Collared”. Published in Harper’s Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

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19th Century Prints, Aquatint, Color Woodcut, Contemporary, Early 20th Century, Engraving, Etching, Pencil Drawing, Photo engraving, Prints, Sporting, Watercolor, Wood, Woodcut

Print Round-Up: Bicycles

From the earliest depictions of penny farthings and velocipedes on dirt lanes, to modern-day prints of bike commuters navigating busy city streets, our prints celebrate and illustrate the convenience, athleticism, and joy of cycling.  Some of our historic prints show the bicycle in its earliest stages of development- with over-sized front wheels, or still lacking pedals or gears. They also highlight the beginnings of a strong “bike culture” in the 19th century. Many took to this popular form of transportation and amusement, going on long afternoon group rides or joining cycling clubs. We also have several great racing prints, showing fans at the velodrome, watching racers sprint around and around. Contemporary artists like Art Werger, Susan Pyzow, and Su-Li Hung have also depicted cyclists in their prints.

We hope you enjoy our bike print round-up, and we invite you to visit our Washington DC and New York City galleries to view these prints in person!

Tourists. By A. B. Frost. Published by Harper's Weekly. Photoengraving, hand colored, 1896. Image size 8 1/2 x 12 1/2" (215 x 317 mm). AT OPG.

Tourists. By A. B. Frost. Published by Harper’s Weekly. Photoengraving, hand colored, 1896. Image size 8 1/2 x 12 1/2″ (215 x 317 mm). AT OPG.

Six-Day Bike Race. BY Joseph W. Golinkin. Watercolor, c.1940. Image size 20 x 24" (508 x 610 mm). AT OPS.

Six-Day Bike Race. By Joseph W. Golinkin. Watercolor, c.1940. Image size 20 x 24″ (508 x 610 mm). AT OPS.

Bicyclist. By Susan Pyzow.  Etching, 2002. Image size 9 x 11 7/8" (225 x 300 mm). Edition 40. AT OPG.

Bicyclist. By Susan Pyzow. Etching, 2002. Image size 9 x 11 7/8″ (225 x 300 mm). Edition 40. AT OPG.

Cyclist Duo. By Richard Sloat. Etching, 2003. Image size 6 x 9 1/2" (152 x 240 mm). Edition 7. AT OPS.

Cyclist Duo. By Richard Sloat. Etching, 2003. Image size 6 x 9 1/2″ (152 x 240 mm). Edition 7. AT OPS.

Bike Lane, Queensborough Bridge. By Steven E. Walker. Woodcut, 2005. Image size 9 9/16 x 7 1/8" (243 x 180 mm). Edition 75. AT OPG.

Bike Lane, Queensborough Bridge. By Steven E. Walker. Woodcut, 2005. Image size 9 9/16 x 7 1/8″ (243 x 180 mm). Edition 75. AT OPG.

A Velocipede of Fifty Years Ago. Published in Harper's Weekly. Wood engraving, with modern handcoloring, 1869. Image size 4 3/16 x 5 3/4" (105 x 146 mm). AT OPS.

A Velocipede of Fifty Years Ago. Published in Harper’s Weekly. Wood engraving, with modern handcoloring, 1869. Image size 4 3/16 x 5 3/4″ (105 x 146 mm). AT OPS.

Bicycle in America.  The Germantown Bicycle Club starting out for a Race. By W. P. Snyder. Published in Harper's Weekly. Wood engraving, with modern handcoloring, Feb. 7, 1880.  Image size 6 5/8 x 9 1/8" (168 x 231 mm). AT OPG.

Bicycle in America. The Germantown Bicycle Club starting out for a Race. By W. P. Snyder. Published in Harper’s Weekly. Wood engraving, with modern handcoloring, Feb. 7, 1880. Image size 6 5/8 x 9 1/8″ (168 x 231 mm). AT OPG.

A Tour Awheel. By W. A. Rogers. Published by Harper's Weekly. Photogravure, 1899. Image size 6 1/2 x 8 3/8" (164 x 211 mm). AT OPS.

A Tour Awheel. By W. A. Rogers. Published by Harper’s Weekly. Photogravure, 1899. Image size 6 1/2 x 8 3/8″ (164 x 211 mm). AT OPS.

Figure Study, Woman on Bicycle. By Martin Lewis. Pencil on paper, c.1935. Image size 7 x 3 1/8" (178 x 80 mm). AT OPS.

Figure Study, Woman on Bicycle. By Martin Lewis. Pencil on paper, c.1935. Image size 7 x 3 1/8″ (178 x 80 mm). AT OPS.

Bicycle. By Su-Li Hung. Woodcut, 2007. Image size 11 3/4 x 12 1/4" (298 x 315 mm). Edition 50. AT OPS.

Bicycle. By Su-Li Hung. Woodcut, 2007. Image size 11 3/4 x 12 1/4″ (298 x 315 mm). Edition 50. AT OPS.

Wheeling on Riverside Drive. BY T. de Thulstrup. Published by Harper's Weekly, New York. Wood engraving, July 17, 1886. Image size 13 3/4 x 19 7/8" (343 x 556 mm.) AT OPG.

Wheeling on Riverside Drive. By T. de Thulstrup. Published by Harper’s Weekly, New York. Wood engraving, July 17, 1886. Image size 13 3/4 x 19 7/8″ (343 x 556 mm.) AT OPG.

The Velodrome de la Seine: The Grand-stand. By Georges Scott. Wood engraving, c.1880. Image size 12 1/4 x 19 5/8" (310 x 499 mm.) AT OPG.

The Velodrome de la Seine: The Grand-stand. By Georges Scott. Wood engraving, c.1880. Image size 12 1/4 x 19 5/8″ (310 x 499 mm.) AT OPG.

The Century Run. By Jay Hambidge. Published by Truth Company. Color photoengraving, 1897. Image size 11 x 17 7/8" (273 x 455 mm.). AT OPG.

The Century Run. By Jay Hambidge. Published by Truth Company. Color photoengraving, 1897. Image size 11 x 17 7/8″ (273 x 455 mm.). AT OPG.

Cycling in England - Down the Ripley Road. By Joseph Pennell. Published by Harper's Weekly, New York, Oct. 22, 1887. Wood engraving, hand colored, 1887. Image size  9 1/4 x 12 5/8" (236 x 325 mm). AT OPG.

Cycling in England – Down the Ripley Road. By Joseph Pennell. Published by Harper’s Weekly, New York, Oct. 22, 1887. Wood engraving, hand colored, 1887. Image size 9 1/4 x 12 5/8″ (236 x 325 mm). AT OPG.

Bicycling on Riverside Drive, New York. By W. A. Rogers. Published by Harper's Weekly, New York. Photoengraving, hand colored, c. 1895. Image size 8 1/2 x 13 1/4" (214 x 339 mm). AT OPG.

Bicycling on Riverside Drive, New York. By W. A. Rogers. Published by Harper’s Weekly, New York. Photoengraving, hand colored, c. 1895. Image size 8 1/2 x 13 1/4″ (214 x 339 mm). AT OPG.

Delivery. By Art Werger. Etching and aquatint, 2013. Image size 13 1/8 x 9 3/16" (333 x 245 mm). Ed 25. AT OPG.

Delivery. By Art Werger. Etching and aquatint, 2013. Image size 13 1/8 x 9 3/16″ (333 x 245 mm). Ed 25. AT OPG.

AT OPG= Print is located at The Old Print Gallery, 1220 31st Street, NW, Washington, DC 20007. www.oldprintgallery.com  t: 202-965-1818

AT OPS= Print is located at The Old Print Shop, 150 Lexington Avenue, New York, NY, 10016. www.oldprintshop.com  t:212-683-3950

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19th Century Maps, 19th Century Prints, Contemporary Maps, Early 20th Century, Engraving, Etching, Maps, Photo engraving, Prints, Stone, Wood

New Additions: Washington, DC

NEW ADDITIONS banner

NEW ADDITIONSWe have new Washington, D.C. scenes and maps to share with our readers today. We are very excited about the bird’s-eye view of Georgetown- it is difficult to find depictions of our section of town (OPG is located in historic Georgetown), so we are always on the lookout for interesting views and renditions. What is interesting about older depictions of Washington and its iconic buildings is they illustrate all of the changes and development that have happened to our city- several thoughtfully planned, and several as a result of unforeseen and unpredictable circumstances- like war, flooding, huge population growth, or new technologies, like cars, electricity, or plumbing. We hope you enjoy these views as much as we do!

1. Georgetown a bird’s eye view. LINK.

Georgetown a bird's-eye view. Photo engraving, c. 1970. Image size 23 1/4 x 31 1/4". A detailed view of Georgetown drawn by James Richardson, showing the Potomac River, Key Bridge and the Whitehurst Freeway in the foreground, Georgetown University on the left and Rock Creek Parkway on the right.  A Balloon is pictured on the upper left corner with the sign "Cartographie Richardson."  Before Washington Harbor. Mounted.  Black and white.

Georgetown a bird’s-eye view. Photo engraving, c. 1970. Image size 23 1/4 x 31 1/4″. A detailed view of Georgetown drawn by James Richardson, showing the Potomac River, Key Bridge and the Whitehurst Freeway in the foreground, Georgetown University on the left and Rock Creek Parkway on the right. A Balloon is pictured on the upper left corner with the sign “Cartographie Richardson.” Before Washington Harbor. Mounted. Black and white.

2. Washington City, D.C. LINK.

Washington City, D.C. By Theodore R. Davis. Published in Harper's Weekly, New York. Wood engraving; hand colored, Mar. 13, 1869. Image size 13 3/4 x 20 3/8" (349 x 512 mm). With modern handcoloring.

Washington City, D.C. By Theodore R. Davis. Published in Harper’s Weekly, New York. Wood engraving; hand colored, Mar. 13, 1869. Image size 13 3/4 x 20 3/8″ (349 x 512 mm). With modern hand coloring.

3. Washington, D.C. – The Inauguration of President Garfield. – View on the Grand Military and Civic Procession on Pennsylvania Avenue, Looking from the Dome of the Capitol.  LINK.

Washington, D.C. - The Inuguration of President Garfield. - View on the Grand Military and Civic Procession on Pennsylvania Avenue, Looking from the Dome of the Capitol. Published by Frank Leslie's Illustrated Newspaper, March 19, 1881. Wood engraving handcolored, 1881. Image size 20 1/8 x 14 1/16" (512 x 353 mm). An interesting perspective, with modern handcoloring.

Washington, D.C. – The Inauguration of President Garfield. – View on the Grand Military and Civic Procession on Pennsylvania Avenue, Looking from the Dome of the Capitol. Published by Frank Leslie’s Illustrated Newspaper, March 19, 1881. Wood engraving hand colored, 1881. Image size 20 1/8 x 14 1/16″ (512 x 353 mm). An interesting perspective, with modern hand coloring.

4. United States Capitol. LINK.

United States Capitol. By Louis Orr. Etching, c. 1920. Image size 15 x 23" (381 x 585 mm). A very detailed and handsomely executed view, typical of Orr's larger works. A flag flies over the entrance. Several cars are parked beside the Capitol steps. Signed in pencil.

United States Capitol. By Louis Orr. Etching, c. 1920. Image size 15 x 23″ (381 x 585 mm). A very detailed and handsomely executed view, typical of Orr’s larger works. A flag flies over the entrance. Several cars are parked beside the Capitol steps. Signed in pencil.

5. Map of the Cities of Washington and Georgetown D.C. LINK.

Map of the cities of Washington and Georgetown D.C. Published by W. H. & O. H. Morrison. Stone engraving, 1876. Image size, 15 7/8 x 20" (405 x 517 mm) plus margins. A fine map of the original plan for the city of Washington, divided into wards. Various sites are highlighted on the map itself, including the President's House, Capitol, Washington Monument, Naval Observatory, Arsenal at Greenleaf's Point, Navy Yard, City Hall, Smithsonian Institute and Howard University.  This map appeared in the 1876 edition of "Morrison's Stranger's Guide for Washington City." Black & white.

Map of the Cities of Washington and Georgetown D.C. Published by W. H. & O. H. Morrison. Stone engraving, 1876. Image size, 15 7/8 x 20″ (405 x 517 mm) plus margins. A fine map of the original plan for the city of Washington, divided into wards. Various sites are highlighted on the map itself, including the President’s House, Capitol, Washington Monument, Naval Observatory, Arsenal at Greenleaf’s Point, Navy Yard, City Hall, Smithsonian Institute and Howard University. This map appeared in the 1876 edition of “Morrison’s Stranger’s Guide for Washington City.” Black & white.

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