18th Century Maps, American Maps, Copperplate, Engraving, Maps

Laurie & Whittle’s 1794 US Map

The United States of America with the British Possessions of Canada, Nova Scotia, New Brunswick and Newfoundland divided with the French, also The Spanish Territories of Louisiana and Florida according to the Preliminary Articles of Peace Signed at Versailles the 10th of Jany., 1783. LINK.

The United States of America with the British Possessions of Canada, Nova Scotia, New Brunswick and Newfoundland divided with the French, also The Spanish Territories of Louisiana and Florida according to the Preliminary Articles of Peace Signed at Versailles the 10th of Jany., 1783. (double click on image to enlarge)
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Today we are excited to share this beautiful map of the United States and lower Canada, published by Laurie & Whittle, in London in 1794. This map was published shortly after the signing of the Treaties of Versailles in 1783, and offers a nice detailed look at the original colonies, East and West Florida, and Spanish Louisiana. In the preliminary Articles of Peace signed in 1783, Spain negotiated rights to Florida, with Spain keeping West Florida and gaining back East Florida in exchange for the Bahamas. This map accurately depicts both East and West Florida in yellow, to represent Spanish holdings. 9117colorcoding Article III of the Treaty, concerning fishing rights, is reprinted next to the cartouche, which includes one of the earliest representations of an American Flag to appear on a printed map. 9117flg and cartouche   There is also excellent detail on the various Indian tribes in the Ohio and Mississippi River Valleys, including the Choctaws and the Cherokees. 9117indians

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18th Century Prints, Aquatint, Color etching, Contemporary, Copperplate, Engraving, Etching, Past/Present, Prints

Past/Present: Palaces

past present logo copyToday we are sharing two architecture prints. The oldest is from one of the finest architectural works of the German baroque period, Paul Decker’s Fürstliche Baumeister, oder Architectura Civilis. The work was published in Augsburg, Germany by Peter Detleffsen in 1711, and featured plates engraved by several master engravers of the time, including Bodenehr, Englebrecht, Probst and Kraus. They illustrate Decker’s designs for royal palaces and country houses, with details of their interior decoration, gateways, and gardens. In contrast to other architectural texts from the same period which focused heavily on theory and history, none of Decker’s plates were accompanied with text or elaborate descriptions. Rather, his work in Fürstliche Baumeister was created solely with the aristocratic architectural patrons of Central Europe in mind, in hopes to influence and inspire them while they built their palaces and grand estates.

The contemporary print is by Linda Adato, a master of color intaglio. The subject matter of her prints varies from the architecture of New York City, to the chambers and ancient ruins of Europe, to her own backyard. She “enjoy[s] exploring the geometry of the structures in these images and capturing the light at a certain moment or time of day,” always drawing attention to the balance between light and dark, hidden and seen. Adato’s work is distinctive for its delicate synthesis of composition, subtle use of color, and classical elegance. She has been making color etchings for over twenty-five years and is exceptionally skilled at “a la poupee”,  a one plate method of color printing where the colors are inked and wiped on the plate prior to printing.

Image on Top: Erste Seite der Furstle Hoff Capelle, mit dem Herrfchafftle Stuhl. By Paul Decker. Copper engraving, 1711-1716. Published by Peter Detleffsen. Image size 14 3/4 x 14 7/8″. LINK.

Image on Bottom: The Palace. By Linda Adato. Color etching with aquatint and soft ground, 1993. Edition 19/75. Image size 23 3/4 x 15 3/4″. LINK. 

Erste   Seite der Furstle Hoff Capelle, mit dem Herrfchafftle Stuhl. By Paul Decker.

Erste Seite der Furstle Hoff Capelle, mit dem Herrfchafftle Stuhl. By Paul Decker. LINK.

The Palace. By Linda Adato. LINK.

The Palace. By Linda Adato. LINK.

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18th Century Maps, American Maps, Contemporary Maps, Copperplate, Engraving, Foreign Maps, Maps, Pocket Maps, World Maps

2015 Miami International Map Fair

The Peninsula and Gulf of Florida or Channel of Bahama with the Bahama Islands. Thomas Jefferys. Printed for Robt. Sayer, Map and printseller, No. 53 Fleet Street, London. Copper plate engraving, hand-colored, Feb. 20, 1775. Image size 18 5/8 x 24 5/8". Very good condition with attractive wash color. A beautiful nautical chart of Florida and the Bahama issued at the beginning of the American Revolution. Because of its large scale and great detail, it was used by both the British and French navies. Florida's interior was still largely unexplored, but the coastal information regarding bays, safe harbors and soundings is extensive. From Jefferys' "The American Atlas: or A Geographical Description of the Whole Continent of America..." LINK.

The Peninsula and Gulf of Florida or Channel of Bahama with the Bahama Islands. Thomas Jefferys. Printed for Robt. Sayer, Map and printseller, No. 53 Fleet Street, London. Copper plate engraving, hand-colored, Feb. 20, 1775.
Image size 18 5/8 x 24 5/8″. Very good condition with attractive wash color.
A beautiful nautical chart of Florida and the Bahama issued at the beginning of the American Revolution. Because of its large scale and great detail, it was used by both the British and French navies. Florida’s interior was still largely unexplored, but the coastal information regarding bays, safe harbors and soundings is extensive. From Jefferys’ “The American Atlas: or A Geographical Description of the Whole Continent of America…” LINK.

Miami International Map Fair 

February 6- February 8, 2015

We will be attending the 22nd Annual Miami International Map Fair with our NY partners, The Old Print Shop. We hope to see our OPG map collectors at the fair, and will be bringing down our best material. If you can’t make it down to Florida this weekend, feel free to send us your “wish list”. We can look for special, rare, and exciting maps that you want for your walls. This is a great opportunity to create or build upon your personal map collection.  As one of the best and largest map fairs in the world, the event brings together top-notch dealers, lecturers, and collectors for a weekend of engaging, spirited, and engaging discussion and sharing of maps. For more information on tickets, lecturers, receptions and tours, please visit the HistoryMiami website.  

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19th Century Prints, Color Linocut, Color Lithograph, Drawing, Early 20th Century, Engraving, Etching, Lithograph, Photo engraving, Prints, Sporting, Wood

Print Round-Up: Superbowl Edition

On Sunday, the Seattle Seahawks will face off against the New England Patriots in Super Bowl XLIX. Whether you are a fan of Tom Brady and the Patriots or your allegiances lie with the defensive-minded Seahawks, the game (and accompanying commercials, half-time show, and viewing parties) should result in an entertaining and fun event. To celebrate, we are sharing several of our football prints- both antique and modern- on the blog. Enjoy!

Big Game Bartlett Pears. Color lithograph, c. 1930's. Image size 10 7/8 x 7 3/8" (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin:  Walnut Grove, Sacramento Delta CA.  Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Big Game Bartlett Pears. Color lithograph, c. 1930’s. Image size 10 7/8 x 7 3/8″ (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin: Walnut Grove, Sacramento Delta CA. Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Football. Sybil Andrews.  Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2" (237 x 317 mm). LINK.

Football. Sybil Andrews. Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2″ (237 x 317 mm). LINK.

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16" (178 x 252 mm).

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16″ (178 x 252 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16" (349 x 504 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16″ (349 x 504 mm). LINK.

Holiday in Camp - Soldiers Playing "Foot-Ball". Winslow Homer. Published by Harper's Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4" (234 x 349 mm). LINK

Holiday in Camp – Soldiers Playing “Foot-Ball”. Winslow Homer. Published by Harper’s Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4″ (234 x 349 mm). LINK

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4" (173 x 273 mm).

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4″ (173 x 273 mm).

A Day With the Yale Team. Frederic Sackrider Remington. Harper's Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2" (353 x 218 mm). LINK.

A Day With the Yale Team. Frederick Sackrider Remington. Harper’s Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2″ (353 x 218 mm).

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper's Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2" (345 x 496 mm.). LINK.

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper’s Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2″ (345 x 496 mm.). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right "Spruance." Image size 13 x 18 1/4" (331 x 464 mm). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right “Spruance.” Image size 13 x 18 1/4″ (331 x 464 mm). LINK.

Foot-Ball - "Collared". [football]. Published in Harper's Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

Foot-Ball – “Collared”. Published in Harper’s Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

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18th Century Prints, Engraving, Past/Present, Portraits, Prints

Past/Present: Benjamin Franklin Portraits

past present logo copy

From 1776 to 1785, Benjamin Franklin served as the first American ambassador to France. The French were very taken with Franklin and his New World “charm”; the enthused populace sustained a healthy market of printed and painted versions of his visage. Today, we share two small portraits of Franklin that circulated throughout France. This earlier print was one of the first available French images of Franklin. Publication of this print was first announced in the “Journal de Paris” of June 16, 1777. In this bust-length portrait, Franklin is depicted facing right, with Canadian fur-trapper hat, a simple cloth suit, and round spectacles.  Written accounts of Franklin’s time in Paris comment on Franklin’s plain manner of dressing, and the favorable impression it made on the French.

The second image, published circa 1780, is also a bust portrait of Benjamin Franklin, set in an oval frame. This is a variation of the Cochin portrait, altered to accord with the subject’s new ambassadorial dignity. Franklin is now depicted without spectacles, in a fur-lined satin dressing gown and a lace frilled shirt. The fur-trapper hat has been replaced with a more dignified and stylish cap, lightly trimmed with fur.

Image on Top:  Benjamin Franklin. Ne a Boston, dans la nouvelle Angleterre le 17 Janvier 1706. By Charles-Nicolas Cochin. Engraving, 1777. Engraved by Augustin de Saint Aubin. Image size 7 1/2 x 5 1/4″. LINK.

Image on Bottom: Benjamin Franklin. Ne a Boston dans la Nouvelle Angleterre, le 17 Janvier 1706. By Claude Louis Desrais. Engraving, c. 1780. Engraved by Pierre Adrien Le Beau. Image size 6 3/8 x 4 1/4″. LINK.

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