19th Century Prints, Americana, Engraving, Lithograph, Prints, Wood

First Battle of Bull Run

154 Years Ago Today…..

The First Battle of Bull Run was fought on July 21, 1861, near the city of Manassas, Virginia not far from Washington, D.C. It was the first major battle of the American Civil War. The Union forces, led by McDowell, were slow in positioning themselves, allowing Confederate reinforcements time to arrive by rail. Each side had about 18,000 poorly trained and poorly led troops in their first battle. It was a Confederate victory which ended with a disorganized and hasty retreat of the Union forces. Below are several prints we have of the widely documented (and illustrated) first battle.

The Battle of Bull Run, 2 P.M. July 21, 1861.  Alfred Waud. Published by Harper's Weekly, August 10, 1861. Wood engraving, 1861. Image size 13 3/4 x 20 1/4" (35 x 51.4 cm). LINK.

The Battle of Bull Run, 2 P.M. July 21, 1861. Alfred Waud. Published by Harper’s Weekly, August 10, 1861. Wood engraving, 1861. Image size 13 3/4 x 20 1/4″ (35 x 51.4 cm). LINK.

Col. Michael Corcoran, at the Battle of Bull Run, Va. - July 21st 1861. : The desperate and bloody charge of the "Gallant Sixty-Ninth," on the Rebel Batteries.  Published by Currier & Ives, 152 Nassau St. New York. Lithograph, undated. Small folio - image size 8 x 12 1/4 inches. LINK.

Col. Michael Corcoran, at the Battle of Bull Run, Va. – July 21st 1861. : The desperate and bloody charge of the “Gallant Sixty-Ninth,” on the Rebel Batteries. Published by Currier & Ives, 152 Nassau St. New York. Lithograph, undated. Small folio – image size 8 x 12 1/4 inches. LINK.

The Great Battle at Bull Run, VA., on Sunday Afternoon, July 21, Retreat of the Federal Army upon Centreville – Col. Miles’s Reserve Division Covering the Retreat and Repelling the Charge of the Rebel Cavalry – Panic Among the Teamsters and Civilians, and General Stampede Towards Arlington Heights. Published by  Frank Leslie, New York. Wood engraving, c. 1862.  From "Pictorial History of the War of 1861." Image size 19 7/8 x 29 1/4". LINK.

The Great Battle at Bull Run, VA., on Sunday Afternoon, July 21, Retreat of the Federal Army upon Centreville – Col. Miles’s Reserve Division Covering the Retreat and Repelling the Charge of the Rebel Cavalry – Panic Among the Teamsters and Civilians, and General Stampede Towards Arlington Heights. Published by Frank Leslie, New York. Wood engraving, c. 1862. From “Pictorial History of the War of 1861.” Image size 19 7/8 x 29 1/4″. LINK.

 

Standard
19th Century Prints, Americana, Engraving, Gallery Updates, Mixed-Media, Prints

The 4th of July

The Old Print Gallery will be closed tomorrow, July 4th, for Independence Day. Have a safe and happy holiday celebrating with friends and family!

The Declaration of Independence of the United States of America. : July 4th 1776.  Mixed-media engraving, hand colored, 1858. Published by Goupil & Cie., Paris. Engraved by Alexander Jazet, with the additional imprint of M. Knoedler & Co., New York. Jazet's engraving is a particularly skilled and handsome print adaptation of Trumbull's famous painting. Image size 13 3/4 x 23 3/8. LINK.

The Declaration of Independence of the United States of America. : July 4th 1776. Mixed-media engraving, hand colored, 1858. Published by Goupil & Cie., Paris. Engraved by Alexander Jazet, with the additional imprint of M. Knoedler & Co., New York. Jazet’s engraving is a particularly skilled and handsome print adaptation of Trumbull’s famous painting. Image size 13 3/4 x 23 3/8. LINK.

Standard
19th Century Prints, Engraving, Natural History, New Additions, Prints

New Additions: Alexander Wilson Bird Prints

NEW ADDITIONS bannerNEW ADDITIONSWe have three new additions to our natural history inventory- several bird prints from Alexander Wilson’s “American Ornithology; or, The Natural History of the Birds of the United States.” One of America’s great naturalists and nicknamed the “father of American ornithology,” Alexander Wilson (1766-1813) learned much of birding from friend and fellow bird-enthusiast William Bartram. Working out of his father’s famous botanical garden in Philadelphia, Bartram taught Wilson how to draw, identify, and document different bird species. Wilson soon set out to document every species of bird in North America, an impressive undertaking that led to the creation of “American Ornithology”. Nine volumes of “American Ornithology” were published during Wilson’s lifetime. Of the 268 species of birds illustrated, 26 had not previously been described.

C.L Bonaparte published a supplement to “American Ornithology” in 1825-33, to complete what Wilson started, with prints by Titian Ramsey Peale and Alexander Rider.  A second edition printed from the original plates was published by Collins & Co. & Harrison Hall in 1829.

The three prints shown below are from the first edition of “American Ornithology”, published between 1808 and 1814. Engraved and hand-colored, these charming prints would make a beautiful addition to any print collector’s walls or personal collection.

1. Red cocaded Woodpecker 2. Brown-headed Nuthatch  3. Pigeon Hawak  4. Blue-winged Yellow Warbler  5. Golden-winged W.  6. Blue-eyed Yellow W.  7. Black-brested Blue W.  Alexander Wilson. Engraving, hand colored, 1808-14. Paper size 13 1/4 x 10 1/4

1. Red cocaded Woodpecker 2. Brown-headed Nuthatch 3. Pigeon Hawak 4. Blue-winged Yellow Warbler 5. Golden-winged W. 6. Blue-eyed Yellow W. 7. Black-brested Blue W.
Alexander Wilson. Engraving, hand colored, 1808-14. Paper size 13 1/4 x 10 1/4″. Good condition and color. First edition. LINK.

1. Rice bunting. 2. Female. 3. Red-eyed Flycatcher. 4. Marsh Wren. 5. Great Carolina Wren. 6. Yellow-throat Warbler. Alexander Wilson. Engraving, hand colored, 1808-14. Paper size 13 1/4 x 10 1/4

1. Rice bunting. 2. Female. 3. Red-eyed Flycatcher. 4. Marsh Wren. 5. Great Carolina Wren. 6. Yellow-throat Warbler. Alexander Wilson. Engraving, hand colored, 1808-14. Paper size 13 1/4 x 10 1/4″. Good condition and color. First edition. LINK.

1. Canada Jay, 2. Snow Bunting, 3. Rusty Grakle, 4. Purple Grakle Alexander Wilson. Engraving, hand colored, 1808-14. Paper size 13 1/4 x 10 1/4

1. Canada Jay, 2. Snow Bunting, 3. Rusty Grakle, 4. Purple Grakle Alexander Wilson. Engraving, hand colored, 1808-14. Paper size 13 1/4 x 10 1/4″. Good condition and color. First edition. LINK.

Standard
18th Century Prints, Botanical, Copperplate, Engraving, Foreign Views, Landscapes, Prints

Volckamer Citrus Fruit Prints

Today we are sharing stunning 18th century engravings from Volckamer’s “Nurnbergische Hesperides.” A wealthy Nuremberg merchant who had his own fine orangery, Johann C. Volckamer engaged a variety of artists and engravers, including the architectural artist Paul Decker, to produce plates for this distinctive work. Most of the plates are devoted to citrus fruits, bedecked with ribbon and positioned above views of the gardens, town squares, and palaces of Germany, Austria, and Italy. These unusual engravings are prized for their unique combination of botanical illustrations and 18th century garden designs.

Cedrato con fior e Sugo doppio. Page 174. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Cedrato con fior e Sugo doppio. Page 174. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

In the 18th century, most European gardeners were moving away from ornamental gardens and towards practical gardening of vegetables, herbs, and fruits. Gardens in colder planting zones were enclosed against insects, vermin, and the chilly climate, gifting the gardeners an opportunity to grow and cultivate citrus fruit trees for the first time. While the culture of fruit was the subject of many books- gardeners manuals with instructions as to care and pruning were in abundance- there were comparatively few illustrated books dealing with fruit alone in the beginning of the century. Published in 1708, Volckamer’s “Nurnbergische Hesperides” was one of the first illustrated books dedicated to citrus fruits.

Limon Cedrato. Page 68. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Limon Cedrato. Page 68. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

Limon Cedrato. Page 162. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Limon Cedrato. Page 162. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

The first volume of “Nurnbergische Hesperides” contained 115 plates, mostly uncolored. Separated into 5 parts, the book’s first four sections focus solely on citrus fruits, while the fifth is devoted to flowers. The plates were engraved by L. C. Glotsh, and were the work of artists P. Decker, B. Kinkel, and I. C. Steinberger.

A continuation, or second volume, of “Nurnbergische Hesperides” was published in 1714, with 132 plates. Again, the plates depict mostly citrus fruits, with the exception of the last section, which highlights pineapple, palm, and coconut trees.The plates were engraved by  J. C. Dehne and J. Montalegre, and were the work of artists Delsenbach, T. G. Beckh, Krieger, and F. P. Lidner.

Aranzo da Portugal. Page 194b. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Aranzo da Portugal. Page 194b. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

Limon cornagione. Page 144a. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Limon cornagione. Page 144a. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

Cedrati musciati. Page 61. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Cedrati musciati. Page 61. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

Cedro di fiore e Sugo doppia. Page 118. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Cedro di fiore e Sugo doppia. Page 118. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

Lima Romana. Page 152. Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Lima Romana. Page 152. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

Cedrato Bergamotto. Page 52.  Johann C. Volckamer. Published Nuremberg. Copper plate engraving, hand-colored, 1708-14. From Volckamer's "Nurmbergische Hesperides". LINK.

Cedrato Bergamotto. Page 52. Johann C. Volckamer. Published Nuremberg. Copperplate engraving, hand-colored, 1708-14. From Volckamer’s “Nurnbergische Hesperides.” LINK.

 

Standard
19th Century Maps, American Maps, Engraving, Maps, New Additions, Pocket Maps, Wood, woodblock print

New Additions: Map of the Central Pacific Railroad

NEW ADDITIONS bannerNEW ADDITIONSWe just added a scarce, early printing of a map showing the recently completed Trans-Continental Railroad, or the combined Union and Central Pacific Railroads, to our ever-growing map inventory. The map, a wood block engraving, was published by the California Mail Bag on August 1, 1871, just shortly after the driving of the “Golden Spike” in 1869.

Map of the Central Pacific Railroad and its Connections. Published by the California Mail Bag, August 1, 1871. Wood block engraving, 1871. Image size 12 7/8 x 35 3/8

Map of the Central Pacific Railroad and its Connections. Published by the California Mail Bag, August 1, 1871. Wood block engraving, 1871. Image size 12 7/8 x 35 3/8″ (32.7 x 89.8 cm) plus margins. Good condition. LINK.

The map shows an area from Chicago to San Francisco and from Madison, Wisconsin southward to Cairo, Illinois. It also notes the Utah Central Railroad, Ogden to Salt Lake City; Denver Pacific Railroad, Cheyenne to Denver; Kansas Pacific Railroad and the Central Pacific Railroad, Oregon Division.

The map is surrounded by 24 illustrations of various scenes of California and Nevada, including views of Cape Horn, the Sierras, Anderson Valley, as well as mining scenes and illustrations of the railroad tracks and tunnels. A number of the illustrations are based on photographs by 19th century artist Carleton Watkins.

(Detail of) Map of the Central Pacific Railroad and its Connections. LINK.

Map of the Central Pacific Railroad and its Connections.
Detail of smaller illustrations surrounding map.
LINK.

On the verso are timetables, as well as advertisements for stage and maritime shipping lines. Also shown on the verso is small map entitled “Map of the Rail & State Route to Big Tree Groves and Yosemite.”

Map of the Central Pacific Railroad and its Connections.  Detail of Map of on verso, Map of the Rail & State Route to Big Tree Groves and Yosemite.  LINK

Map of the Central Pacific Railroad and its Connections.
Detail of map on verso, “Map of the Rail & State Route to Big Tree Groves and Yosemite.” 
LINK

This would make a great addition to any map collection, whether you’re a railroad buff, interested in our nation’s westward expansion, or a collector of 19th century woodblock maps.

Standard