Drawing, Early 20th Century, Figurative, Prints, Sporting

Abe Blashko on Point of View

Market Vendors. Abe Blashko. Lithograph, 1940. Edition 53. Image size 19 3/4 x 12 3/8" (500 x 315 mm). LINK.

Market Vendors. Abe Blashko. Lithograph, 1940. Edition 53. Image size 19 3/4 x 12 3/8″ (500 x 315 mm). LINK.

“The turbulent social and political events of the 1930s were major contributors to my early development of a point of view. I was able to feel the pulse of that period and was fascinated with the faces and activities of the people around me, a fascination with their work, play, determination, strength, greed and evil.” Abe Blashko

Market. Abe Blashko. Graphite drawing with chalk highlights, 1937. Image size 13 1/2 x 20 3/4" (343 x 528 mm). LINK.

Market. Abe Blashko. Graphite drawing with chalk highlights, 1937.
Image size 13 1/2 x 20 3/4″ (343 x 528 mm). LINK.

The Pencil Vendor. Abe Blashko. Graphite drawing, 1937. Image size 22 3/4 x 13 3/8" (526 x 304 mm). LINK.

The Pencil Vendor. Abe Blashko. Graphite drawing, 1937. Image size 22 3/4 x 13 3/8″ (526 x 304 mm). LINK.

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Aquatint, Charcoal Drawing, Color Linocut, Color Woodcut, Drawing, Etching, Figurative, Lithograph, Pencil Drawing, Prints, Watercolor

“20th Century People” to Open in September

Untitled. [Young Girls.] Marion Greenwood, Lithograph, c. 1940. Edition unknown.  Image size 110 1/8 x 11 7/8" (257 x 302 mm). LINK.

Untitled. [Young Girls.] Marion Greenwood, Lithograph, c. 1940. Edition unknown. Image size 110 1/8 x 11 7/8″. LINK.

The Old Print Gallery’s new fall show, 20th Century People, will open on Friday, September 18th, with an opening reception from 5-7pm. The exhibit is a compendium of “people in prints” by some of the most celebrated 20th century American printmakers. Working and creating in a time when the art world was pushing towards abstract expressionism and modernism, these print artists stayed rooted in a sort of inherent figural humanism. With an exquisite ability to convey emotion through the anatomy of the human figure, the artists used their pencils, woodblocks, and burins to capture an arresting gaze, a fleeting moment between individuals, people at work, at play, and deep in thought. Seen together, these prints offer a glimpse of 20th century America, while also reminding viewers of our shared human condition. The show will remain on view until November 14, 2015.

Any Lobsters Today? Gordon Grant. Lithograph, 1946. Edition 250. Image size 9 1/8 x 12 inches. LINK.

Any Lobsters Today? Gordon Grant. Lithograph, 1946. Edition 250. Image size 9 1/8 x 12 inches. LINK.

Selected Artists: Peggy Bacon, Albert W. Barker, Will Barnet, Leonard Baskin, Thomas Hart Benton, Isabel Bishop, Abe Blasko, Ernest Fiene, Emil Ganso, Gordon Grant, Marion Greenwood, Irwin D. Hoffman, Martin Lewis, Charles W. Locke, James Penney, Robert Riggs, John Sloan, Bruce Waldman, Max Weber, and Anders Zorn.

Click HERE to see the prints included in the show. 

Single Strap Hanger. ISabel Bishop. Etching, 1950, printed 1981. Edition 25. Image size 8 1/4 x 3 1/4". LINK.

Single Strap Hanger. Isabel Bishop. Etching, 1950, printed 1981. Edition 25. Image size 8 1/4 x 3 1/4″. LINK.

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Drawing, Drybrush Drawing, Gallery Updates

Happy Pi Day

OldPrintGallery Pi Day

Pie and Flowers. By Wanda H. Gag. Drybrush drawing, c.1928.

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19th Century Prints, Color Linocut, Color Lithograph, Drawing, Early 20th Century, Engraving, Etching, Lithograph, Photo engraving, Prints, Sporting, Wood

Print Round-Up: Superbowl Edition

On Sunday, the Seattle Seahawks will face off against the New England Patriots in Super Bowl XLIX. Whether you are a fan of Tom Brady and the Patriots or your allegiances lie with the defensive-minded Seahawks, the game (and accompanying commercials, half-time show, and viewing parties) should result in an entertaining and fun event. To celebrate, we are sharing several of our football prints- both antique and modern- on the blog. Enjoy!

Big Game Bartlett Pears. Color lithograph, c. 1930's. Image size 10 7/8 x 7 3/8" (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin:  Walnut Grove, Sacramento Delta CA.  Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Big Game Bartlett Pears. Color lithograph, c. 1930’s. Image size 10 7/8 x 7 3/8″ (276 x 187mm). Great image of football player with ball, in a stadium. The Big Game is the Cal Berkeley vs Stanford match, the grower graduated from Berkeley. Shipper: Dennis W. Leary. Origin: Walnut Grove, Sacramento Delta CA. Original fruit crate label. Before the use of mass produced cardboard boxes, fruit growers, packers and shippers printed labels and attached them to the wooden fruit crates or boxes used in shipping. Distributors would use catchy titles, images, and slogans to set themselves apart from other fruit brands. LINK.

Football. Sybil Andrews.  Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2" (237 x 317 mm). LINK.

Football. Sybil Andrews. Four-color linocut, 1937. Edition 60. Image size 9 3/8 x 12 1/2″ (237 x 317 mm). LINK.

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16" (178 x 252 mm).

Football (untitled). Edith Derry Willson. Etching, softground, c. 1940. Image size 7 x 9 15/16″ (178 x 252 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16" (349 x 504 mm).

Hole in the Line. Joseph W. Golinkin. Lithograph, c.1935. Edition 50. Image size 13 3/4 x 19 13/16″ (349 x 504 mm). LINK.

Holiday in Camp - Soldiers Playing "Foot-Ball". Winslow Homer. Published by Harper's Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4" (234 x 349 mm). LINK

Holiday in Camp – Soldiers Playing “Foot-Ball”. Winslow Homer. Published by Harper’s Weekly, New York. Wood engraving, Jul. 15, 1865. A football scrimmage turned melee. Image size 9 1/4 x 13 3/4″ (234 x 349 mm). LINK

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4" (173 x 273 mm).

Missing the Tackle. Rosamond Tudor. Sepia etching, c. 1930. Image size 6 3/4 x 10 3/4″ (173 x 273 mm).

A Day With the Yale Team. Frederic Sackrider Remington. Harper's Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2" (353 x 218 mm). LINK.

A Day With the Yale Team. Frederick Sackrider Remington. Harper’s Weekly, New York. Photoengraving, hand colored, 1893. Seven vignettes of football players. Image size 13 7/8 x 8 1/2″ (353 x 218 mm).

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper's Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2" (345 x 496 mm.). LINK.

The Princeton Yale Foot-Ball Match at the Berkeley Oval. T. de Thulstrup. Published by Harper’s Weekly, New York. Wood engraving, Dec. 7, 1889. Image size 13 1/2 x 19 1/2″ (345 x 496 mm.). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right "Spruance." Image size 13 x 18 1/4" (331 x 464 mm). LINK.

Short Gain. Benton Murdoch Spruance. Drybrush drawing, c.1935. Signed in pencil, center right “Spruance.” Image size 13 x 18 1/4″ (331 x 464 mm). LINK.

Foot-Ball - "Collared". [football]. Published in Harper's Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

Foot-Ball – “Collared”. Published in Harper’s Weekly, New York. Wood engraving with modern handcoloring, Dec. 1, 1883. Good condition and color. LINK.

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18th Century Maps, 18th Century Prints, 19th Century Prints, Abstract, Aquatint, Citiscapes, Collagraph, Contemporary, Copperplate, Drawing, Early 20th Century, Engraving, Etching, Landscapes, Linocut, Lithograph, Maps, Mezzotint, Multi-stone Lithograph, Prints, Science, Wood

Print Round-Up: The Moon

In honor of this morning’s “Blood Moon” total lunar eclipse (read about it here), we are sharing a print round-up of our favorite moon related prints. These lunar prints are stunning scientific and artistic representations, from multiple centuries. We hope you enjoy!

Tabula Selenographica in qua Lunarium Macularum exacta Descriptio…. By Johann Gabriel Doppelmayr. Published by Homann Heirs, Nuremberg. Handcolored copper plate engraving, c.1742. LINK.

Tabula Selenographica in qua Lunarium Macularum exacta Descriptio… By Johann Gabriel Doppelmayr. Published by Homann Heirs, Nuremberg. Handcolored copper plate engraving, c.1742. LINK.

This is an interesting and decorative map of the surface of the Moon. Doppelmayr was an astronomer as well as a professor of mathematics. He often worked with the Homann heirs.  Together they produced a number of atlases, including Atlas Coelestis and Selenographica.

Astronomy. Tab. II. Published by E. Chambers & Abraham Rees, London. Copper engraving, black and white, 1789. Platemark 14 3/8 x 8 1/4" (365 x 210mm). LINK.

Astronomy. Tab. II. Published by E. Chambers & Abraham Rees, London. Copper engraving, black and white, 1789. Platemark 14 3/8 x 8 1/4″ (365 x 210mm). LINK.

This print is from Chambers’ and Rees’ Cyclopaedia or, An Universal Dictionary of Arts and Sciences. The composite shows diagrams relating to eclipses.

Phases Of The Moon.  By Asa Smith. Published by Cady & Burgess, New York. Wood engraving,1848-1850. Image size 9 3/4 x 8 1/8" (248 x 217mm). LINK.

Phases Of The Moon. By Asa Smith. Published by Cady & Burgess, New York. Wood engraving,1848-1850. Image size 9 3/4 x 8 1/8″ (248 x 217mm). LINK.

This chart appeared in Smith’s Illustrated Astronomy, Designed for the Use of the Public or Common Schools in the United States.  This wonderful work was produced by Asa Smith, the Principal of Public School No. 12, in New York City. He notes that the purpose was “to present all distinguishing principles in physical Astronomy with as few words as possible; but with such ocular demonstrations, by way of diagrams and maps, as shall make the subject easily understood.”

Hunting the Deer by Moonlight. By Henry Lewis. Lithographed by Jnst. Arnz & Co. Dusseldorf. Multi-stone lithograph, 1854-57. Image size Image 5 3/8 x 7 3/4" plus title and margins. LINK.

Hunting the Deer by Moonlight. By Henry Lewis. Lithographed by Jnst. Arnz & Co. Dusseldorf. Multi-stone lithograph, 1854-57. Image size Image 5 3/8 x 7 3/4″ plus title and margins. LINK.

This print is from Das Illustrierte Mississippithal (The Valley of the Mississippi Illustrated).  In the late 1840’s, Henry Lewis traveled the length of the Mississippi and, with the assistance of other artists, assembled a collection of sketches detailing scenery of the entire river.  Based on these drawings, Lewis proceeded to paint a panorama on a continuous length of canvas which would be moved and viewed through a frame.  In the fall of 1848, the completed piece (hundreds and hundreds of feet in length),  began its tour of American cities.  A European tour followed and while in Dusseldorf, in 1853, Lewis teamed up with the publisher Heinrich Arnz to redo the sketches as lithographs, illustrating a book on Mississippi scenery.  While production was sporadic and relatively unprofitable, the resulting seventy-eight lithographs provide a early and remarkably complete record of the Mississippi River.

The Full Moon. By John Taylor Arms. Etching, 1920. Image size 8 x 5 15/16" (204 x 151 mm). Link.

The Full Moon. By John Taylor Arms. Etching, 1920. Image size 8 x 5 15/16″ (204 x 151 mm). LINK.

This etching by 20th century printmaker John Taylor Arms (1887-1953) is one of many in his oeuvre to include moons or moonlight. The print is an edition of 100 in color and 75 in black and white. This particular impression is an artist proof, and was printed by  Frederick Reynolds. Reynolds was born in London, immigrating to New York in 1911 to establish himself as an artist in the United States. He was an etcher and mezzotint engraver, and operated his own printing studio in New York. In addition to his own works, Reynolds printed for other artists, including Arms.

Moonlit Balcony. (Comp 292). By Werner Drewes. Graphite Drawing, 1938. Image Size 6 5/8 x 5 7/16". Signed in pencil lower left, dated and inscribed with the artists cipher lower right "38". LINK.

Moonlit Balcony. (Comp 292). By Werner Drewes. Graphite Drawing, 1938. Image Size 6 5/8 x 5 7/16″. Signed in pencil lower left, dated and inscribed with the artists cipher lower right “38”. LINK.

Moon over Hilltown. By Edward Glannon. Lithograph, undated. Image size 4 1/4 x 5 3/8". LINK.

Moon over Hilltown. By Edward Glannon. Lithograph, undated. Image size 4 1/4 x 5 3/8″. LINK.

Manhattan Rooftops in Moonlight. By Armin Landeck. Copper engraving, 1980. Edition 75. Image size 5 13/16 x 12 3/16". LINK.

Manhattan Rooftops in Moonlight. By Armin Landeck. Copper engraving, 1980. Edition 75. Image size 5 13/16 x 12 3/16″. LINK.

Moonrise Tide. (green ink). By Jake Muirhead. Softground & aquatint, 2013. A/P. Image size 13 3/4 x 23 3/4". LINK.

Moonrise Tide. By Jake Muirhead. Softground & aquatint, 2013. A/P. Image size 13 3/4 x 23 3/4″. LINK.

Cape Moon. By Frederick Mershimer. Mezzotint, 1992. Edition 100 + 10 A/P. Image size 5 5/8 x 8 13/16". LINK.

Cape Moon. By Frederick Mershimer. Mezzotint, 1992. Edition 100 + 10 A/P. Image size 5 5/8 x 8 13/16″. LINK.

Full Moon. By Karen Whitman. Linoleum cut, 2000. Edition 85. Image size 7 x 5". LINK.

Full Moon. By Karen Whitman. Linoleum cut, 2000. Edition 85. Image size 7 x 5″. LINK.

Moon Garden I. By Grace Bentley-Scheck. Collagraph, 1997.  Edition 40. Image size 6 13/16 x 11" (176 x 279 mm). LINK.

Moon Garden I. By Grace Bentley-Scheck. Collagraph, 1997. Edition 40. Image size 6 13/16 x 11″ (176 x 279 mm). LINK.

Above are a selection of moon-related prints and drawings from our 20th century and contemporary printmakers. While varying in style and technique, all depict the moon and it’s luminescence casting light and shadows throughout the foreground, making for some very interesting compositions.

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