Drypoint, Early 20th Century, Lithograph, Prints

Peggy Bacon on Effort

Hard of Hearing. Peggy Bacon. Drypoint, 1933. Image size 7 1/2 x 10 7/8" (191 x 277 mm). LINK.

Hard of Hearing. Peggy Bacon. Drypoint, 1933. Image size 7 1/2 x 10 7/8″ (191 x 277 mm). LINK.

“Process work doesn’t appeal to me. That’s why I like drypoint and not just an etching. I’ve done only twenty-five bitten etchings in my life because I don’t care for all that business that goes on that gets between you and the work. I love drypoint and I think that actually it gives you the same wonderful satisfaction that carving in stone must give to a person. You’re really making something with great effort. And I think that effort is very important in the production of any work of art. If it’s too easy, if you’re just gliding around on a wax surface and then biting it in acid, it doesn’t give you that sensation of making something … That wonderful feeling that you have for the material and the real strength that you have to employ to get the line the right depth and richness and to do the cross-hatching so that the metal doesn’t break down but still you get a rich black. It gives you, oh, a great sensation.”- Peggy Bacon

Quote from: Oral history interview with Peggy Bacon, 1973 May 8, Archives of American Art, Smithsonian Institution. LINK.

The Soul of the Thrift. Peggy Bacon. Drypoint, 1941. Image size 9 7/8 x 7 inches. LINK.

The Soul of the Thrift. Peggy Bacon. Drypoint, 1941. Image size 9 7/8 x 7 inches. LINK.

Peanuts. Peggy Bacon. Lithograph, 1930. Image size 10 1/4 x 13 inches. LINK.

Peanuts. Peggy Bacon. Lithograph, 1930. Image size 10 1/4 x 13 inches. LINK.

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