18th Century Maps, 18th Century Prints, 19th Century Prints, 2014 Holiday Gift Guide, 20th Century Maps, American Maps, Aquatint, Chromolithograph, Citiscapes, Contemporary, Copperplate, Early 20th Century, Engraving, Etching, Lithograph, Maps, Monotype, Multi-stone Lithograph, Natural History, Naval, Portraits, Prints, Serigraph, Sporting, Wood

2014 Holiday Gift Guide

We are less than a week until Christmas, and if you are like us, you are probably still searching for one or two last-minute gifts for that special someone (or someones!). We have you covered! We have always believed that art makes the BEST gifts. It is meaningful, special, and unlike the go-to Christmas sweater, always the right size. We have prints and maps for all interests, at all price points. Stop by our gallery or visit our website www.oldprintgallery.com to browse our collection of historic, antique, decorative, and fine original art. 

Below is a Holiday Gift Guide for 2014, with ideas for everyone on your list. We hope you enjoy our selections, and if you need more ideas, give us a call or stop by our gallery and we will be happy to help you find something fantastic. Happy shopping and Happy Holidays!

For the Cook:

Summer King Apple. Plate III. E. I. Schutt. Published by the U.S. Dept. of Agriculture. Chromolithograph, 1912. Image size 6 1/4 x 3 3/8" (158 x 85 mm). LINK.  Lithographed by Julius Bien Co. Lith. From the USDA Yearbook. A beautiful chromolithograph of an apple, with a cross section of the apple below.

Summer King Apple. Plate III. E. I. Schutt. Published by the U.S. Dept. of Agriculture. Chromolithograph, 1912. Image size 6 1/4 x 3 3/8″ (158 x 85 mm). LINK.
Lithographed by Julius Bien Co. Lith. From the USDA Yearbook. A beautiful chromolithograph of an apple, with a cross section of the apple below.

For the Sports Fan:

Lacrosse.  "Hard Pressed." T. de Thulstrup. Published by Harper's Weekly, New York. Wood engraving, Aug 21, 1886. Image size 13 3/4 x 19 7/8" (348 x 506 mm.). LINK.  Lacrosse, today a popular team sport in North America, may have developed as early as 1100 AD among indigenous peoples on the continent. By the seventeenth century, it was well-established. It was documented by Jesuit missionary priests in the territory of present-day Canada, although the game has undergone many modifications since that time.

Lacrosse. “Hard Pressed.” T. de Thulstrup. Published by Harper’s Weekly, New York. Wood engraving, Aug 21, 1886. Image size 13 3/4 x 19 7/8″ (348 x 506 mm.). LINK.
Lacrosse, today a popular team sport in North America, may have developed as early as 1100 AD among indigenous peoples on the continent. By the seventeenth century, it was well-established. It was documented by Jesuit missionary priests in the territory of present-day Canada, although the game has undergone many modifications since that time.

For the Washingtonian:

Map of Washington, D.C.  George H. Walker. Published by the Walker Lith. & Pub. Co. Boston. Multi-stone lithograph, c.1900. Image size 21 1/2 x 26 1/4" plus margins. LINK.   A pleasant view of the city from the turn of the last century. Outlined in red are the many trolley lines that once ran in the city and suburbs. The Walker Co. was formed in 1880 by George Hiram Walker and his brother Oscar.  They were very prolific, publishing maps, atlases and bird's eye views of New England locales.  The Walkers were the last of Boston's important lithographers.  President George  Bush is a descendant of this family.

Map of Washington, D.C. George H. Walker. Published by the Walker Lith. & Pub. Co. Boston. Multi-stone lithograph, c.1900. Image size 21 1/2 x 26 1/4″ plus margins. LINK.
A pleasant view of the city from the turn of the last century. Outlined in red are the many trolley lines that once ran in the city and suburbs. The Walker Co. was formed in 1880 by George Hiram Walker and his brother Oscar. They were very prolific, publishing maps, atlases, and bird’s eye views of New England and East Coast locales. The Walkers were the last of Boston’s important lithographers. President George Bush is a descendant of this family.

For the World Traveler:

Encampment of the Travellers. By Karl Bodmer. Published by Ackermann & Co., London. Aquatint engraving, 1843-44. Image size 7 1/2 x 11" (190 x 290 mm) plus title and margins. From "Travels in the Interior of North America"  by Maximilian, Prince of Wied-Neuwied.  In 1832, the German prince, Maximilian of Wied, organized an expedition to explore the region along the Missouri River.  He was accompanied by Karl Bodmer, a young Swiss artist, who recorded in pictorial form all he observed.  Following the Lewis & Clark trail up the Missouri River, they traveled 5,000 miles during the course of a year.  Maximilian kept detailed notes on a day-by-day basis for his book, which was published six years later in German, French, and English editions and included Bodmer's aquatint engravings.  Karl Bodmer's landscapes, portraits, and splendid scenes of Indian life are regarded today as first rate picture histories of the western frontier at that time. Engraved by Outhwaite.  Printed by de Bougeard. LINK.

Encampment of the Travellers. By Karl Bodmer. Published by Ackermann & Co., London. Aquatint engraving, 1843-44. Image size 7 1/2 x 11″ (190 x 290 mm) plus title and margins. LINK.
From “Travels in the Interior of North America” by Maximilian, Prince of Wied-Neuwied. In 1832, the German prince, Maximilian of Wied, organized an expedition to explore the region along the Missouri River. He was accompanied by Karl Bodmer, a young Swiss artist, who recorded in pictorial form all he observed. Following the Lewis & Clark trail up the Missouri River, they traveled 5,000 miles during the course of a year. Maximilian kept detailed notes on a day-by-day basis for his book, which was published six years later in German, French, and English editions and included Bodmer’s aquatint engravings. Karl Bodmer’s landscapes, portraits, and splendid scenes of Indian life are regarded today as first rate picture histories of the western frontier at that time. Engraved by Outhwaite. Printed by de Bougeard.

For the History-Buff:

John Paul Jones. C. J. Notte. Published by  Carl Guttenberg, Paris. Engraving, 1780. Image size 10 11/16 x 9 1/16”, plus publication line and margins. LINK.  Title continues: "Commodore au Service des Etats-Unis de l’Amerique...". Engraved by Carl Guttenberg. John Paul Jones( 1747-1792) was an American naval officer, famous for his exploits in British waters during the American Revolution. As captain of the Bonhomme Richard, John Paul Jones fought an epic battle against Captain Pearson’s ship Serapis. It is during this battle that he uttered his famous words "I have not yet begun to fight". The engraving shows Jones on the deck of ship, dramatically emerging from smoke and musket fire. Although the engraver, Carl Guttenberg, was from Nuremberg, he lived in France and like many French at the time, was deeply connected to the American cause. The French admired Jones for his heroism and celebrated his success, making this print popular not only in America, but France as well.

John Paul Jones. C. J. Notte. Published by Carl Guttenberg, Paris. Engraving, 1780. Image size 10 11/16 x 9 1/16”, plus publication line and margins. LINK.
Title continues: “Commodore au Service des Etats-Unis de l’Amerique…”. Engraved by Carl Guttenberg. John Paul Jones (1747-1792) was an American naval officer, famous for his exploits in British waters during the American Revolution. As captain of the Bonhomme Richard, John Paul Jones fought an epic battle against Captain Pearson’s ship Serapis. It is during this battle that he uttered his famous words “I have not yet begun to fight”. The engraving shows Jones on the deck of ship, dramatically emerging from smoke and musket fire. Although the engraver, Carl Guttenberg, was from Nuremberg, he lived in France and like many French at the time, was deeply connected to the American cause. The French admired Jones for his heroism and celebrated his success, making this print popular not only in America, but in France as well.

For the Nature-Lover:

a. Cardamomum munis Cardamoe. b. Cardamonum longum vel medium. N. 306. (Cardamom). Johann W. Weinmann. Published Amsterdam and Ratisbon. Copper engraving printed in color and finished by hand, 1736-45. Average platemark 12 3/4 x 8 inches. LINK. From Johann Wilhelm Weinmann's Phytanthoza Iconographia. This beautiful work provides a nearly complete record of the flowers, fruits and vegetables cultivated in the early 18th century. The plates are among the earliest examples of color printing from a single plate.

a. Cardamomum munis Cardamoe. b. Cardamonum longum vel medium. N. 306. (Cardamom). Johann W. Weinmann. Published Amsterdam and Ratisbon. Copper engraving printed in color and finished by hand, 1736-45. Average platemark 12 3/4 x 8 inches. LINK.
From Johann Wilhelm Weinmann’s “Phytanthoza Iconographia.” This beautiful work provides a nearly complete record of the flowers, fruits and vegetables cultivated in the early 18th century. The plates are among the earliest examples of color printing from a single plate.

For the Map Enthusiast:

A Map of the Most Inhabited part of Virginia containing the whole Province of Maryland with Part of Pensilvania, New Jersey and North Carolina. Drawn by Joshua Fry & Peter Jefferson in 1775. Printed for Robt. Sayer at No. 53 in Fleet Street. Copper plate engraving, c.1777. Four-sheet map, joined into two sheets. Overall, if joined, 31 x 48 1/4. LINK.   This important map of Virginia was commissioned by the English Lords of Trade, who in 1750 required each colony to conduct a comprehensive survey. Joshua Fry, a mathematician, and Peter Jefferson, a surveyor and father of Thomas Jefferson, were appointed to execute the commission. The resulting map is highly detailed, giving roads, ferry crossings, settlements and names of many of the rivers and creeks. It is also the first map to depict the general configuration of the Appalachian and Allegheny mountain ranges. The cartouche depicts an image of the Virginia tobacco trade. The map was first issued in 1751. Other editions were done in 1755 onward through 1794. This particular map is from the 1775 edition and likely appeared in Thomas Jefferys' "The American Atlas."

A Map of the Most Inhabited part of Virginia containing the whole Province of Maryland with Part of Pensilvania, New Jersey and North Carolina. Drawn by Joshua Fry & Peter Jefferson in 1775. Printed for Robt. Sayer at No. 53 in Fleet Street. Copper plate engraving, c.1777. Four-sheet map, joined into two sheets. Overall, if joined, 31 x 48 1/4. LINK.
This important map of Virginia was commissioned by the English Lords of Trade, who in 1750 required each colony to conduct a comprehensive survey. Joshua Fry, a mathematician, and Peter Jefferson, a surveyor and father of Thomas Jefferson, were appointed to execute the commission. The resulting map is highly detailed, giving roads, ferry crossings, settlements and names of many of the rivers and creeks. It is also the first map to depict the general configuration of the Appalachian and Allegheny mountain ranges. The cartouche depicts an image of the Virginia tobacco trade. The map was first issued in 1751. Other editions were done in 1755 onward through 1794. This particular map is from the 1775 edition and likely appeared in Thomas Jefferys’ “The American Atlas.”

For the Kids:

Coastal Whimsey. By Joan Drew.  Serigraph, 1965. Image size 8 1/8 x 12 1/2 inches. LINK.  Edition of 55. Signed, titled, and dated in pencil. A fanciful image of a boat, castle, and friendly creatures. printed in beautiful colors.

Coastal Whimsey. By Joan Drew. Serigraph, 1965. Image size 8 1/8 x 12 1/2 inches. LINK.
Edition of 55. Signed, titled, and dated in pencil. A fanciful image of a boat, castle, and friendly creatures. Printed in three beautiful colors.

For the City-Slicker:

Gotham Lights. Michael Di Cerbo. Etching, aquatint, and drypoint, 2005. Image size 11 7/8 x 8 13/16 inches. LINK.  Edition 50. Signed, titled, and dated in pencil by artist. Micahel DiCerbo is a NEw York City based artist. Di Cerbo has turned his sense of urban grandeur into geometric forms with patterns of light and dark that allude to the soaring architecture of skyscrapers. One sees the city from the perspective of both an ant and eagle, moving endlessly upward or falling away to infinite chasms below. The images, though devoid of people and any overt sign of life, create an ambiance of mystery. One may find themselves alone in a composition as an observer of a timeless cityscape.

Gotham Lights. Michael Di Cerbo. Etching, aquatint, and drypoint, 2005. Image size 11 7/8 x 8 13/16 inches. LINK.
Edition 50. Signed, titled, and dated in pencil by artist. Micahel DiCerbo is a NEw York City based artist. Di Cerbo has turned his sense of urban grandeur into geometric forms with patterns of light and dark that allude to the soaring architecture of skyscrapers. One sees the city from the perspective of both an ant and eagle, moving endlessly upward or falling away to infinite chasms below. The images, though devoid of people and any overt sign of life, create an ambiance of mystery. One may find themselves alone in a composition as an observer of a timeless citiscape.

For the Contemporary:

Dreamscape #2. Philip Bennet. Watercolor monotype, 2010. Image size 13 3/4 x 9 7/8 inches. LINK. Signed and titled in pencil by the artist. Ed 1/1. Bennet’s medium of choice is the monotype, abstract and dynamic images achieved as a result of his playful and liberal approach to printmaking. He experiments with colored inks of varied viscosity, often employing hued “ghost” images as backgrounds for new prints and integrating multiple plates into each composition. His unrestricted and unique working style allows for a spontaneity and creative freedom not normally associated with printmaking.

Dreamscape #2. Philip Bennet. Watercolor monotype, 2010. Image size 13 3/4 x 9 7/8 inches. LINK.
Signed and titled in pencil by the artist. Ed 1/1. Bennet’s medium of choice is the monotype, abstract and dynamic images achieved as a result of his playful and liberal approach to printmaking. He experiments with colored inks of varied viscosity, often employing hued “ghost” images as backgrounds for new prints and integrating multiple plates into each composition. His unrestricted and unique working style allows for a spontaneity and creative freedom not normally associated with printmaking.

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