Below are the nine prints we have by 20th century artist Alessandro Mastro-Valerio (1887-1953). From his earliest drypoints to his later experimentation with aquatints, Mastro-Valerio studied and explored the female form in his 22 years of printmaking. His two brief departures from the female nude occurred in the years of 1931 to 1933, when he produced mostly landscapes, and in the last several years of his printmaking career, from 1950 to 1952, when his prints were pure abstractions, created from continuous or single-bite aquatints.
An experienced painter, Alessandro Mastro-Valerio was introduced to printmaking by his dear friend, Dr. Warren Pl Lombard, in 1930. His first prints were drypoints. He began experimenting with etching and soft ground in a series of views of the Garganico area in Italy and worked briefly in this period with aquatints. During a trip to Chicago to visit the Century of Progress Exposition in 1933, he saw and was enchanted by a display of mezzotint engravings. Deciding that the medium would yield the image he had been seeking, he quickly taught himself mezzotint engraving. His first mezzotints were published in 1934. One of his earliest mezzotints, Morning, was chosen for Fine Prints of the Year in 1935. In 1948, his print Motif in Seascape won the Cannon prize from the National Academy of Design.
To see or purchase any of the prints shown above, please visit our website or our Georgetown gallery.